Aimé Césaire

Mississipi by Aimé Césaire

‘Mississippi’ by Aimé Césaire depicts the importance of perseverance and strength in the face of any kind of oppression.

Césaire was also a politician and author from Martinique. Martinique is an island in the Caribbean that is considered an “overseas region” of the country of France. (Like how Puerto Rico and the US Virgin Islands are territories of the United States) He is also known as one of the founders of a movement called Négritude. This movement was started to push off the effects of French colonialism in the Caribbean and West Africa by upholding and celebrating African culture and tradition.

Mississipi by Aimé Césaire


Glossary of Words in Mississipi

Before we can dig into the symbolism of Mississipi (which you can read here), we must first examine its literal meaning. Some of the words within this poem are quite challenging, so I’ve defined them for you here to allow for better comprehension:

  • munificence: the quality of being munificent, or showing unusual generosity
  • reticule: a small purse or bag, originally of the network but later of silk, rayon, etc.
  • flagrant: blazing, burning, or glowing (this word has multiple definitions. The one that applies to this poem is considered archaic, meaning that while this word was used for this purpose in the past, it isn’t used to mean this now)
  • ferocity: a ferocious quality or state; savage fierceness
  • geranium: This is typically used to describe a type of flower, but in this context, it refers to a vivid red color



Now that you know the literal meaning of the poem and some background information on Aimé Césaire and the Négritude movement, it is time to discuss the theme. The theme of this poem is the importance of resilience and strength in the face of oppression. This theme will become more relevant and clear as we break down Mississipi.


The Title

It’s often overlooked, but one can draw a lot of information from a poem’s title. This poem has a lot to offer in regards to analysis. You’ve probably noticed that the title isn’t spelled how we in America would usually spell the state “Mississippi”. And this was done on purpose.

If you consider the history of the Southern US state, you’ll learn that it was first colonized by the French. The original spelling of “Mississippi” was actually “Mississipi”. The state’s name is derived from the original French spelling “Messipi”, and the French called it this in reference to the American Anishinaabe tribe’s name for the Mississippi River – Misi-ziibi, or “Great River”.

Now, why is all of this important to the poem? Much of Aimé Césaire’s work was about the oppression that Africans felt under French colonization. And Mississippi has a long history of violence and racism against African Americans. By using the old French spelling of an American state, Césaire is able to connect the experiences of people of African descent living on three different continents.

It isn’t an American problem, or an African problem, or a French problem. Oppression and racism affect everyone everywhere, and the title makes this point.



The opening line of every stanza, “Too bad for you men” may make you think that the speaker is being empathetic towards the intended audience. But upon closer examination, one will find that the speaker is being quite sarcastic. His “Too bad for you men” isn’t meant to be read in a sympathetic tone but in a snarky one. It’s very similar to the phrase often said in the Southern United States – bless your heart. It sounds nice, but it’s really not.



When analyzing a poem, it’s very important to examine the structure. This work is divided into four stanzas, all with three lines. It is a free verse poem, meaning that the lines don’t rhyme. (This poem is translated from French, but the lines don’t rhyme in French either.)


Analysis, Stanza by Stanza

Stanza One

Too bad for you men who don’t notice that my eyes remember
which murder with each blink of my Mississipi lashes

In this powerful opening stanza, Césaire is shaming the audience for not remembering the suffering that he and other people of African descent have gone through. People of African descent are mentally traumatized by the things they have seen, and every time they close their eyes they see horrific images.


Stanza Two

Too bad for you men who do not see who do not see anything
of the coral snake that my munificence coils in my Mississipi tears

The second stanza shames the audience again, only this time instead of shaming them for not remembering his suffering, he shames them for acting like they don’t see the physical characteristics of someone who his sad and broken down when they look at him. He has deep dark circles under his eyes and visible stains of tears. And yet, they pretend that he (he symbolizing all African people living under colonization or racism) is fine.


Stanza Three

Too bad for you men who do not see that in the depth of the reticule where chance has
there waits a buffalo sunk to the very hilt of the swamp’s eyes

Following on from the second stanza, the speaker is telling the audience that there is something deep and powerful within the spirits of the African people that they cannot see with the naked eye. He calls it “a buffalo sunk to the very hilt of the swamp’s eyes”, a beautiful example of a metaphor.


Stanza Four

Too bad for you men who do not see that you cannot stop me from building to his fill
under the calm ferocity of the immense geranium of our sun.

It is in the last stanza that the poem’s theme becomes so clear. Despite the hardship and oppression that the people have gone through, nothing can stop them from growing stronger and stronger. “…egg-headed islands of flagrant sky under the calm ferocity of the immense geranium of our sun” is a metaphor that symbolizes the beautiful paradise that Césaire and his colleagues hoped to have when all people of African descent bonded together in unity regardless of nationality, another key goal of the Negritude movement.

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Nicole Harvin Poetry Expert
Nicole is a poet and a singer/songwriter herself. As well as her strong enthusiasm for poetry and creating lyrics for songs, she also has a degree in Communication and Culture from Howard University.
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