‘Anne Hathaway’ by Carol Ann Duffy is told from the perceptive of Shakespeare’s wife who discusses their enduring love through the symbol of a bed.
This poem is another in which Duffy makes use of the lives and works of other writers. In this case, she is investigating the life of Shakespeare’s wife, Anne Hathaway. Anne is the speaker of the text. It is through her the reader gets an intimate look into the Bard’s life. Her words are filled with metaphors and similes comparing his writing to beautiful things, like shooting stars. In what is perhaps the most interesting part of the text, the beauty of Shakespeare’s works extends out into their life together.
The bed we loved in was a spinning world
of forests, castles, torchlight, cliff-tops, seas
where he would dive for pearls. My lover’s words
were shooting stars which fell to earth as kisses
‘Mrs. Midas’ by Carol Ann Duffy uses a contemporary feminist perspective to depict the shocking transformation of the mythological character, King Midas.
Like Anne Hathaway, this piece provides the reader with a new viewpoint from which to consider history. This time it is the wife of the mythological King Midas from Ovid’s Metamorphoses speaking. Rather than being amazed by her husband’s ability to turn everything into gold, Mrs. Midas easily sees through the ridiculous nature of his actions.
It was late September. I’d just poured a glass of wine, begun
to unwind, while the vegetables cooked. The kitchen
filled with the smell of itself, relaxed, its steamy breath
gently blanching the windows. So I opened one,
then with my fingers wiped the other’s glass like a brow.
He was standing under the pear tree snapping a twig.
Carol Ann Duffy’s ‘Havisham’ is a response to Charles Dickens’s portrayal of the character Miss Havisham in his famous novel Great Expectations. This poem refers to the character as “Havisham” rather than “Miss Havisham.”
This piece is a brilliant remodelling of Charles Dickens’ character, Miss. Havisham. She appeared in what is perhaps his most famous novel, Great Expectations. Duffy chose to recreate the character. So, rather than casting her as the wasted, depressed spinster of the book, Havisham (as she is known in the poem) is an angry, powerful woman who is unwilling to spend any more time worrying about her “Beloved sweetheart bastard.”
Beloved sweetheart bastard. Not a day since then
I haven’t wished him dead. Prayed for it
so hard I’ve dark green pebbles for eyes,
ropes on the back of my hands I could strangle with.
‘The Way My Mother Speaks’ by Carol Ann Duffy describes a speaker’s developing connection to her mother’s way of speaking.
This ingenious piece reimagines the way that phrases, in particular those most familiar to us, enter into our vocabulary. The speaker in ‘The Way My Mother Speaks’ is haunted by the words of her mother. These disconnected, ephemeral lines repeat themselves within the text of the poem. This effect creates a distinct emotional connection to that particular arrangement of words.
I say her phrases to myself
in my head
or under the shallows of my breath,
restful shapes moving.
The day and ever. The day and ever.
‘Valentine’ by Carol Ann Duffy is a memorable poem that talks about an onion that the poet gives her partner as a valentine-gift.
This poem is one of Duffy’s most famous. It is a love poem of sorts, with a great deal of subversion thrown in. Throughout the text, a reader is presented with a comparison between love and an onion. By giving the onion as a gift, rather than a rose, the speaker is showing the painful emotions that come with love. It is not an easy state to exist in.
Not a red rose or a satin heart.
I give you an onion.
It is a moon wrapped in brown paper.
Duffy’s ‘The Love Poem’ is a collection of verses from other love poems, composed by poets like Shakespeare, Sidney, Donne, Shelley, Barrett and Browning.
This piece is truly beautiful and remarkably clever. It is quite simply a poem about writing love poetry. The text speaks on why finding the right words to describe an emotion as complex and powerful as love is nearly impossible. In order to circumvent this trouble, Duffy chose to collect and appropriate lines from some of the most famous love poems ever written.
Till love exhausts itself, longs
for the sleep of words -
my mistress' eyes -
to lie on a white sheet, at rest
‘Nostalgia’ by Carol Ann Duffy explores the moment in which the term ‘Nostalgia’ was coined following the crusades of 17th-century Swiss mercenaries.
Duffy has always been interested in language, and the ways words are used. This piece is clearly related to that interest as she explores the moment that the word ‘Nostalgia’ came into being. The details are in the poem, but the most important thing to consider about this piece is the heartache associate with the emotion and its universal application. Through the penning of ‘Nostalgia’ Duffy is asking the reader to consider how nostalgia is present in their own life.
Those early mercenaries, it made them ill –
leaving the mountains, leaving the high, fine air
to go down, down. What they got
was money, dull, crude coins clenched
‘Words, Wide Night’ by Carol Ann Duffy is a short ten line poem that speaks on the impossibility of putting love into words.
This piece is one of a number in her collection ‘The Other Country’ which depicts the poet’s own childhood. It is common in Duffy’s works for her speakers to take on elements of her own life, or for Duffy to cast herself as the speaker. In this piece, in particular, she examines what it meant to leave her home and enter into the unknown.
Somewhere on the other side of this wide night
and the distance between us, I am thinking of you.
The room is turning slowly away from the moon.
‘In Your Mind’ by Carol Ann Duffy describes a detailed daydream in which the reader of the poem embarks on a strangely familiar trip.
This poem depicts another of Duffy’s famous dream landscapes. The speaker, through second-person narration, asks the reader to imagine a world filled with the best of things. If you travel there, which the poem certainly makes tempting, you will find that your past struggles and griefs are gone. Unfortunately for the reader, it doesn’t last. They are thrust back into reality and made to confront the dreary real world.
The other country, is it anticipated or half-remembered?
Its language is muffled by the rain which falls all afternoon
one autumn in England, and in your mind
you put aside your work and head for the airport
with a credit card and a warm coat you will leave
on the plane. The past fades like newsprint in the sun.
‘Prayer’ by Carol Ann Duffy describes the different forms a prayer can take in the modern world, and how those forms provide comfort.
Above all else, this emotional piece is about how one confronts the world in times of need. A prayer is a common tool used by the countless faithful to get through the day. But in this text, Duffy seeks to extend what prayer is and give examples of the other, even more, vibrant forms it can take. Prayers come to the people in the text, they emerge from the chanting of trains and the “minims sung by a tree”.
Some days, although we cannot pray, a prayer
utters itself. So, a woman will lift
her head from the sieve of her hands and stare
at the minims sung by a tree, a sudden gift.