I Do Not Love Thee

Caroline Norton

‘I Do Not Love Thee’ by Caroline Elizabeth Sarah Norton consists of a speaker’s professed lack of love for a listener she is clearly infatuated with.

Caroline Norton

Nationality: English

Caroline Norton was born in 1808 in London and remembered today as a poet and social reformer.

She wrote numerous poetry collections including The Sorrows of Rosalie: A Tale with Other Poems, I Do Not Love Thee, and The Cold Change.

‘I Do Not Love Thee’ by Caroline Elizabeth Sarah Norton is a five stanza poem which is separated into sets of four lines, or quatrains. Each one of these quatrains follows a rhyming pattern of abab, alternating as the poet saw fit from stanza to stanza. The consistent nature of this rhyme scheme provides the poem with the unity it needs to carry a reader from the first verse to the last. It is an element of consistency within a text rife with emotional confusion. 

While there is no consistent metrical pattern within ‘I Do Not Love Thee,’ all of the lines are of a similar length. They also all contain around the same number of syllables, in the range of nine-twelve. 

 I Do Not Love Thee by Caroline Norton



I Do Not Love Thee’ by Caroline Elizabeth Sarah Norton is made up of a speaker’s professed lack of love for the listener and the evidence very much to the contrary. 

The poem begins with the speaker stating that she does not love “you,” the listener. This statement which is utilized in all the stanzas, is followed by a number of features of her life which bother her. Firstly, she is sad when this person is not around. This is an emotion she is uncomfortable with. She is so sad that she becomes jealous of the stars who are able to look down on him. 

Additionally, the speaker is entranced by the listener’s deep blue eyes, the way he can do no wrong, and the sound of his voice. All these factors lead a reader to mistrust the speaker. She is confessing her love by attempting to prove she is not in love. 



‘I Do Not Love Thee’ by Caroline Elizabeth Sarah Norton is as simple as the title says. The exclamation, “I do not love thee!” doesn’t come from a heart that is either broken or hurt. It comes from a heart that not only beats but loves. The lady loves that person so much that she can’t express it plainly. Otherwise, it may seem uncourteous from her side. Her playful diction is all she had to please him verbally. Love isn’t an expression that can be measured by something materialistic. It’s about the emotions and how one thinks of the person whom she is madly in love with. Through this poem, the poet uses the negative expression over and over, for emphasizing the positivity inside her. The spontaneity of her thoughts reflects tells readers how much she loved her beloved.


Poetic Devices

‘I Do Not Love Thee’ by Caroline Elizabeth Sarah Norton contains several poetic devices that make the poet’s thoughts more appealing not only to the gentleman with whom she is in love but also to the readers. Likewise, the poem begins with a litote as well as a rhetorical exclamation. In the third line of the first stanza, there is assonance in “envy even” and consonance in “bright blue”. The poet uses personification in the line following it. Moreover, in the second stanza, the poet uses a simile in the line, “That those I do love are not more like thee!” Apart from that, every stanza of this poem begins with the refrain, “I do not love thee!” The exception is there in the last stanza where the poet uses “I know” before the refrain.

However, in the third stanza, there is a metaphor in “Thy voice of music”. Here, the poet compares the tone of her beloved’s voice to a musical composition. Whereas, in “speaking eyes”, the poet metaphorically says that her lover’s eyes are so lovely as if they speak to her. However, there is hyperbole in the lines, “With their deep, bright, and most expressive blue,/Between me and the midnight heaven arise”. In the last stanza, the poet uses synecdoche in the phrase, “candid heart”. Here, the poet refers to her candid self by referring only to her heart.


Figurative Language

‘I Do Not Love Thee’ by Caroline Elizabeth Sarah Norton being a love poem makes use of figurative language extensively. First of all, the refrain used in the poem, “I do not love thee!” is not the same as the literal meaning of the line stands for. Here, the poet says the opposite and emphasizes how much she loves her man. This exclamation has a teasing quality. It emanates the scent of the early days of a relationship. Moreover, in the first stanza, the second and third line begins with the same word, “And”. Through using the conjunction twice the poet emphasizes the idea of those lines. This device is called anaphora. In the second stanza, the poet again uses figurative language. By comparing the things the poet likes and her beloved, the poet presents the magnitude of her love for the person.

Apart from that, the repetition of the exclamation, “I do not love thee!”, in each stanza is meant for highlighting her dominant emotion. It’s love. Moreover, the hyperbolic expressions used in the poem such as “Whose quiet stars may see thee and be glad”, “Thy voice of music”, and “their deep, bright, and most expressive blue”, aren’t meant for mere exaggeration. These expressions help the poet to say how much she loves the person. The ideas present in the lines also depict how minutely the poet observes his eyes, voice, and beauty.


Analysis of I Do Not Love Thee

Stanza One 

I do not love thee!—no! I do not love thee!

And yet when thou art absent I am sad;

   And envy even the bright blue sky above thee,

Whose quiet stars may see thee and be glad.

In the first stanza of this piece, the speaker begins by making a strong and eye-catching exclamation. She seems to shout out the line which became the title of the poem, “I do not love thee!” It is clear before one even begins reading that the speaker believes strongly in the placidity of her own emotions towards her intended listener. 

The reader will take on the role of the speaker’s intended listener, and the man whom she does not love, due to the narrative perspective of the piece. Norton has chosen to write in the second person, casting the reader as “you.” 

The exclamation is repeated immediately after the opening phrase, emphasizing her point. Now that she has gotten that clearly enunciated, she starts to edge into some doubt or at least exclusionary points which do not match up with what she said in the first line. 

She does not love this person but when they are gone, or absent, she is “sad.” It is an automatic response on her part. She cannot help but be sad. Her depression is so deep in these moments thatch can’t help but “envy…the bright blue sky above thee.” All she is able to do is think about the listener and where he is at that moment. Anywho are around him, even the sky, are subject to her envy. 

The final line of the first quatrain mentions the “quiet stars” of the sky. They are more familiar with the listener than she is, when he is absent. They are able to look down from the sky and “see [him] and be glad.” 


Stanza Two 

I do not love thee!—yet, I know not why,

Whate’er thou dost seems still well done, to me:

   And often in my solitude I sigh

That those I do love are not more like thee!

In the second quatrain, she repeats the title phrase again, “I do not love thee!” By this point in the poem, it reads as more of a reminder than a statement with a great deal of truth. This is bolstered by the fact that she immediately says that she does not “know..why” but everything “thou dost,” or that he does, “seems…well done” to her. The listener can do no wrong. He is accomplished at every task he sets himself to. 

The next two lines describe how when the speaker is alone she “sigh[s] / That those” she does love are not “more like” the listener is. There is no one in her immediate life who stands up to the man she is speaking of. No one is like him. 


Stanza Three 

I do not love thee!—yet, when thou art gone,

I hate the sound (though those who speak be dear)

   Which breaks the lingering echo of the tone

Thy voice of music leaves upon my ear.

The third quatrain repeats the refrain for the third time, immediately followed by another statement that goes against the speaker’s belief in her lack of love. When the listener is “gone” she cannot stand to listen to the voices of anyone else. This is not due to a lack of love for them, as they are “dear” to her, but because they shatter the silence she was relishing. 

When the speaker’s clear object of affection is gone, an impression of his voice is left on her ear. Then, as she stated when others speak that impression is ruined. 


Stanza Four 

I do not love thee!—yet thy speaking eyes,

With their deep, bright, and most expressive blue,

   Between me and the midnight heaven arise,

Oftener than any eyes I ever knew.

It is in the fourth stanza that the refrain is utilized for the last time. The speaker immediately follows it, as she has in the previous stanzas, with a statement that contradicts the phrase, “I do not love thee!”

In this instance, she describes how the “eyes” of this person seem to speak to her with their “deep, bright, and most expressive blue.” It is clear is she greatly attracted to this person and very taken with the depths of their eyes. They are to her the most beautiful blue that one could see between themselves and “the midnight heaven arise.” She concludes this section by stating that the image of the listener’s eyes comes before her own more often than “any eyes” she “ever knew.” 


Stanza Five

I know I do not love thee! yet, alas!

Others will scarcely trust my candid heart;

   And oft I catch them smiling as they pass,

Because they see me gazing where thou art.

In the last four lines of the poem, the speaker begins with a changed version of the refrain. It is as if she has finally started to doubt her own convictions. This time, she says, “I know I do not love thee!” She is clearly trying to convince herself that this is still the case if it ever was. The speaker also uses the word “alas.” She knows that if she does love this person, as she is secretly starting to believe, then the “others” will be right. They do not trust that her heart is being candid with them when she states her emotions. 

The last two lines briefly bring in the perspective of an outsider. Others see her when she is walking through the streets and smile at her manner. They see her “gazing where” her listener “art,” or is, and know she is in love. 


Similar Poetry

Like ‘I Do Not Love Thee’ by Caroline Elizabeth Sarah Norton, here is a list of a few love poems, that are written by female writers. In these poems, one can find the depth of one’s love and the purity of the poet’s thoughts about her beloved.

You can read about Best Love Poems for Him here.

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Emma Baldwin Poetry Expert
Emma graduated from East Carolina University with a BA in English, minor in Creative Writing, BFA in Fine Art, and BA in Art Histories. Literature is one of her greatest passions which she pursues through analyzing poetry on Poem Analysis.
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