Famously, when Dickinson wrote this poem, she included it in a letter to a friend and attached the very flower, or one like it, to the paper with a string. ‘Whose cheek is this?’ is not one of Dickinson’s easiest poems to read or interpret, but its thoughtful composition, short lines, and unique extended metaphor make it well worth the effort.
Whose cheek is this? Emily DickinsonWhose cheek is this?What rosy faceHas lost a blush today?I found her—"pleiad"—in the woodsAnd bore her safe away.Robins, in the traditionDid cover such with leaves,But which the cheek—And which the pallMy scrutiny deceives.
Summary
‘Whose cheek is this?’ by Emily Dickinson is a thoughtful poem about discovering a pink flower in the woods.
The poet begins by asking two questions about a fading pink flower she found in the woods. She wonders where the flower came from and how it got to the middle of the woods where it doesn’t seem to belong. Through an extended metaphor, she compares it to the body of a dead girl and asserts that by the time she got the flower home, she couldn’t tell the difference between the girl’s cheek and her pall.
Themes
Throughout this poem, the poet engages with the themes of change and nature. The imagery in the text is hard to interpret, but it’s clear that the poet was drawing a comparison between a dying or fading pink flower and the body of a young girl. The changes that came over the flower, especially after the poet got it home, made it hard to see which part of the flower was which.
Structure and Form
‘Whose cheek is this?’ by Emily Dickinson is a two-stanza poem that is divided into sets of five lines, known as quintains. These quintains contain two rhyming lines, the third and fifth in stanza one and the second and fifth in stanza two. This unusual, limited pattern is not commonly seen in Dickinson’s verse. Far more often, readers see hymns or ballad stanzas.
Literary Devices
Throughout this poem, the poet makes use of several literary devices. These include but are not limited to:
- Consonance: the repetition of consonant sounds. For example, “this” and “face” are half-rhymes at the ends of lines one and two.
- Extended Metaphor: seen through the poet’s depiction of the flower in the short lines of the poem. She compares it to the discovery of a dead girl.
- Enjambment: occurs when the poet cuts off a line before its natural stopping point. For example, the transition between lines two and three of the first stanza.
- Rhetorical Question: a question that does not expect an answer. There are two of these in the first stanzas. One is, “Whose cheek is this?”
Detailed Analysis
Stanza One
Whose cheek is this?
What rosy face
Has lost a blush today?
I found her—”pleiad”—in the woods
And bore her safe away.
In the first lines of the poem, the speaker, commonly considered to be Dickinson herself, asks two questions. She wonders whose “cheek is this” that she’s found in the woods and has “lost a blush today.” As the poem progresses, these lines begin to make more sense.
She has stumbled upon a pink, fading flower in the woods. It stands out here as not belonging there. Either it got left behind by someone else, fell from a tree out of sight, or was carried there by a bird or other creature.
The speaker refers to the flower as “her” in the next lines. She picked the flower up and “bore her safe away.” The word “pleiad” is in quotation marks in the fourth line. It’s an unusual reference that some have taken to mean the flower had seven petals.
But, there is a more complicated allusion that Dickinson may have had in mind. She was perhaps thinking about the Pleiades, or the Seven Sisters, a constellation. The flower (which is defined as a lost, now dead girl) has become separated from the other “sisters” where she belonged.
Stanza Two
Robins, in the tradition
Did cover such with leaves,
But which the cheek—
And which the pall
My scrutiny deceives.
The poet continues the extended metaphor by comparing a flower to a dead girl in the second stanza. She notes how robins and birds like them cover “such with leaves.” Here, she’s speaking about a dead body and how birds may land on the body as they look through the leaves, trying to find something to eat. This is furthered through the use of the word “pall” in line four of this stanza. (A “pall” is a type of funeral garment.)
The poem does not end on a tragic note but instead expresses an element of confusion over what is the “cheek” and what is the “pall.” It’s unclear to her what is part of the metaphorical girl’s cheek and her clothing once she gets the flower home.
FAQs
The tone is descriptive and, in the end, confused. The poet uses multiple questions throughout the poem and, in the end, expresses her confusion (fake or not) over which part of the flower is which.
The purpose is to express an interest in the natural world and describe the beauty of a flower in an interesting and unusual way. It should inspire the reader to consider what the flower represents and how other natural images may be depicted using metaphors.
Dickinson wrote this poem to express an experience she had in the woods and demonstrate a conceit in which a flower is compared to a girl’s body.
The poem is two stanzas long, each of which contains five lines. The poem contains examples of perfect rhymes and half-rhymes but does not conform to a specific poetic form.
The poet herself is commonly considered to be the speaker in ‘Whose cheek is this?’ This is due to the fact that the poem was included in a letter to a friend, which also had the pink flower from the poem attached to it with a string.
Similar Poetry
Readers who enjoyed this poem should also consider reading some other Emily Dickinson poems. For example:
- ‘Hope is the Thing with Feathers’ – a poem about hope. It is depicted through the famous metaphor of a bird.
- ‘The Letter’ – is a sweet love poem. It is told from the perceptive of a love letter.
- ‘A Coffin is a small Domain’ – explores death. It is characteristic of much of the poet’s work in that it clearly addresses this topic and everything that goes along with it.
- ‘A drop fell on the apple tree’ – is filled with joy. It describes, with Dickinson’s classic skill, images of the summer season and how a storm can influence it.