This somewhat unusual dramatic monologue is written in sestets from a female perspective. Readers only hear the woman’s perspective and have only her words of concern regarding her relationship to understand how the two function as a couple. It seems clear that the woman is far more dedicated to working on their love than the man is. In ‘Break of Day,’ the day signals to the male partner that it’s time to leave his lover and return to his job.
Break of Day John Donne‘Tis true, ‘tis day, what though it be?O wilt thou therefore rise from me?Why should we rise because ‘tis light?Did we lie down because ‘twas night?Love, which in spite of darkness brought us hither,Should in despite of light keep us together.Light hath no tongue, but is all eye;If it could speak as well as spy,This were the worst that it could say,That being well I fain would stay,And that I loved my heart and honour so,That I would not from him, that had them, go.Must business thee from hence remove?Oh, that’s the worst disease of love,The poor, the foul, the false, love canAdmit, but not the busied man.He which hath business, and makes love, doth doSuch wrong, as when a married man doth woo.
Explore Break of Day
‘Break of Day’ by John Donne conveys a woman’s understanding of her busy lover’s dedication, or lack thereof, to their relationship.
The poem begins with the speaker asking several questions regarding her partner’s interpretation of sunrise. She doesn’t feel that just because the sun has come up that he should leave their bed. She sees the sun as lacking the ability to control what they do. But, the man rises and starts his day, reengaging with the work that keeps his focus all the time. As the poem concludes, she compares herself to a mistress. She’s always going to come after his business.
The main theme of this poem is love. Specifically, the speaker is concerned with how a busy man, her lover, deals with their love affair. He treats their love as a married man would treat his mistress—secondary. She’s always going to come after his work.
The meaning is that a man who is busy/dedicated to his work is a worse lover than anyone else. He is always going to put his partners second to his work. The speaker asks her partner several rhetorical questions, challenging his decision to leave their bed at the break of the day and return to work. She doesn’t believe that just because the sun has risen that their love-making or time together should end.
Structure and Form
‘Break of Day’ by John Donne is a three-stanza poem divided into sets of six lines. These sestets are composed of rhyming couplets. For example, “be” and “me” and “light” and “night” in stanza one.
The first four lines of each stanza are written in iambic tetrameter, while the final two lines, aside from a few exceptions, are written in iambic pentameter.
Throughout this poem, the poet makes use of several literary devices. These include but are not limited to:
- Assonance: the repetition of the same vowel sounds in multiple words. For example, “O wilt thou therefore rise from me” uses the same “o” sound.
- Imagery: the use of particularly effective descriptions that should inspire the reader’s senses. For example, “Why should we rise, because ’tis light? / Did we lie down, because ’twas night?”
Personification: occurs when the poet imbues something non-human with human characteristics. For example, “Light hath no tongue, but is all eye; / If it could speak as well as spy.”
- Consonance: occurs when the poet repeats the same consonant sound in multiple words, for example, the “s” in “Should in spite of light keep us together.”
- Alliteration: the repetition of the same consonant sound at the beginning of multiple words. For example, “thou therefore” in line two of stanza one and “him” and “had” in line six of stanza two.
Tis true, ’tis day; what though it be?
O wilt thou therefore rise from me?
Why should we rise, because ’tis light?
Did we lie down, because ’twas night?
Love, which in spite of darkness brought us hither,
Should in despite of light keep us together.
In the first stanza, the poet begins by asking four rhetorical questions. These are questions are delivered from a female perspective and are asked only to make a point, not hoping for a response. She ponders why she and her lover should rise from their bed and leave one another.
Donne uses his classic, clever turns of phrase to challenge the assumption that because it’s “light,” “we rise.” Donne’s female speaker asks if they lay down together only because it was dark or, as she believes, there was another reason.
She believes it was “Love…brought us hither,” not only darkness. That same love should keep them in bed together “despite of light.” She challenges the presence of the sun, saying that it doesn’t have power over the two of them.
Light hath no tongue, but is all eye;
If it could speak as well as spy,
This were the worst that it could say,
That being well, I fain would stay,
And that I loved my heart and honor so,
That I would not from him, that had them, go.
In the second sestet or set of six lines, the speaker personifies “Light,” specifically the sun’s light. It, she says, has “no tongue, but is all eye.” The light can’t control them, she reiterates; in fact, it’s there “as…a spy” only to watch them and interrupt their love-making.
She’d be “fain” to stay, or she’d happily stay with him. She loves him, honors him, and thinks that he feels the same way about her. All this makes the entire situation more difficult for her to deal with.
Must business thee from hence remove?
O, that’s the worst disease of love.
The poor, the foul, the false, love can
Admit, but not the busied man.
He which hath business, and makes love, doth do
Such wrong, as when a married man doth woo.
In the final stanza, the speaker asks if “business” or the chores of daily life, the man’s job, or his desire to do something else is taking him away from her. The fact that there is anything other than staying in bed to do is the “worst disease of love” (an example of a metaphor).
Love can touch everyone fully, but the “busied man,” the speaker says. She knows that someone like her lover has no real time for love. If he were less dedicated to his job, less true and honorable, and worse at loving her, he’d be able to spend more time with her.
A man who has “business” and makes love, as her lover does, treats their partner the same way a married man treats their mistress. She is second to his primary concern—work.
The meaning is that love is possible for all people, except for the busy man. For someone like that, love is only ever going to be secondary to his primary concerns, all of which are work-related.
The poem is about a lover departing their partner at dawn. The sun rises, and for the male partner, this is a sign that their time for love-making is over, and it’s time for him to get to work. For the female partner, she doesn’t understand why the sun has to signify that their time together is over.
‘Break of Day’ is an aubade written in sestets or sets of six lines. They follow a clear rhyme scheme of AABBCC and so on, changing end sounds from stanza to stanza.
Donne wrote this poem in order to explore a female perspective and how a lover might interpret her male partner’s retreat from their bed in the morning. Whether or not this was the experience of someone that John Donne knew or whether he saw himself as the “busied man” is unclear.
Readers who enjoyed ‘Break of Day’ should also consider reading some other John Donne poems. For example:
- ‘The Flea‘ – is the poet’s most famous poem. In it, he uses one of his brilliant conceits to convince his love to sleep with him.
- ‘A Valediction: Forbidding Mourning‘ – uses one of his famous conceits to depict the steadfast nature of his love.
- ‘Death, be not Proud’ – tells the listener not to fear Death as he keeps morally corrupt company and only leads to Heaven.