An iamb is a metrical foot. It occurs when two syllables are placed next to one another, and the first is unstressed or short, and the second is stressed or long.
Sometimes, these syllables are also described as unaccented and accented. When read out loud, iambic syllables sound like du-DUM.
A few iambic words are:
All of these examples have an unstressed first syllable and a stressed second syllable.
I Wandered Lonely as a Cloud by William Wordsworth
This well-loved poem is a good example of how a poet uses iambs in their lines. The bulk of this poem is written in iambic pentameter. Here are the first lines:
I wandered lonely as a cloud
That floats on high o’er vales and hills,
When all at once I saw a crowd,
A host of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
The first two lines, with the stressed or accented syllables bolded, would look like:
I wandered lonely as a cloud
That floats on high o’er dales and hills.
In the second line, the word “o’er” was shortened so that it only has one syllable. This means that Wordsworth’s pattern remains consistent. When read out loud, iambs often have a song-like feeling. They can create a very steady beat, one of the features that have made them so popular with poets.
Dust of Snowby Robert Frost
Unlike the previous example, ‘Dust of Snow’ is written in iambic dimeter. This means there are only two iambs per line rather than five. Consider how the iambs, and the short lines, work together in the following excerpt:
The way a crow
Shook down on me
The dust of snow
Every other word is accented in this excerpt. They are: “way,” “crow,” “down,” “me,” “dust,” and “snow.” The pattern continues for another line before it breaks, and Frost uses another kind of metrical foot.