Esta Noche

‘Esta Noche‘ by Mark Doty is a captivating celebration of drag culture and the transformative power of self-expression. Set in the Latin drag bar, the poem follows the enigmatic Lola, a colossus of gender, as she hosts the pageant and welcomes performers of diverse identities.

Doty’s imagery and emotive language portray the allure of Esta Noche as a sanctuary where individuals shed societal norms, embrace authenticity, and find empowerment. Through Lola’s compelling invitation to wear the ‘whole damn black sky,’ the poem encourages readers to boldly embrace their true selves and celebrate the beauty found in diversity.

Summary

The poem ‘Esta Noche’ by Mark Doty is a vivid portrayal of a Latin drag bar called Esta Noche in the Mission neighborhood.

The poem centers around the captivating figure of la fabulosa Lola, a drag queen, who enters the stage with grace and allure, donned in a dress with a black tulip sheen. She requests the lights be adjusted to flatter her appearance before beginning her performance.

Lola effortlessly transitions between two languages, commanding attention as she pleads for respect for all the girls. Her upper teeth reveal an entrancing gap, adding to her unique charm. As the cellophane drop creates darkness, a new spotlight illuminates her, this time in a century-ending wig. With a daring hair toss and raised arms, she lip-syncs to “You and Me against the World.”

The poem explores the contrast between the Latin drag bar and the traditional storefronts in the neighborhood displaying elegant hats, gloves, wedding dresses, and First Communion lace, symbolizing fixed promises and perfection. In contrast, Lola stands tall and unyielding in her dress, symbolizing fabulousness, challenging gender norms, and expressing fire and irony.

Lola hosts the pageant on Wednesdays and Saturdays, drawing men from the streets, trains, and repair shops to witness the artifice and beauty of the performers like Victoria, Elena, and Francie. The stage becomes a realm where fluidity and glamour reign and the dress itself becomes a representation of perfection and beauty, nearly untouchable in its splendor.

Lola’s presence and words empower those present, encouraging them to don their own metaphorical dresses, embrace their identity, and embrace the freedom the costume provides. The poem’s powerful conclusion urges everyone to put on their own ‘dress,’ whatever form it may take, as a symbol of self-expression and the uniqueness of the present moment, the only night we have to stand on.

Structure and Form

The poem ‘Esta Noche’ by Mark Doty is structured as a quatrain, consisting of thirteen stanzas, with each stanza comprising four lines. The absence of a consistent rhyming scheme lends the poem a free verse style, allowing the poet to explore themes of identity and self-expression without being constrained by traditional rhyme patterns.

The use of quatrains provides a sense of balance and symmetry to the poem, with each stanza containing a complete thought or image. This structure also allows the poet to present different facets of Lola’s performance and the atmosphere of the Latin drag bar in a coherent and organized manner.

The lack of a consistent rhyming scheme enhances the poem’s sense of spontaneity and authenticity. It reflects the fluidity of Lola’s character and the diverse nature of the performers in Esta Noche. By forgoing rhyme, the poet is able to focus on the imagery, emotions, and language, creating a more natural and unforced flow to the poem.

The active use of quatrains without a regular rhyme scheme enables Mark Doty to experiment with rhythm and pacing, adding depth and complexity to the poem. The absence of predictable rhyme patterns allows the poet to emphasize certain words or phrases through enjambment or strategic line breaks, creating a dynamic and engaging reading experience.

Furthermore, the use of quatrains allows the poet to build a sense of progression and narrative within the poem. Each quatrain adds a layer of meaning, revealing more about Lola, the drag bar, and its significance as a space for self-expression and liberation.

Themes

In the poem ‘Esta Noche,‘ Mark Doty addresses several themes that revolve around identity, self-expression, and the transformative power of performance. One prominent theme is the exploration of gender and its fluidity. Lola, the drag queen, embodies this theme through her ability to shift between two languages, like “gowns or genders.” Doty presents Lola as a colossus of gender, challenging conventional notions of identity and presenting a powerful image of authenticity in self-expression.

Another significant theme in the poem is the celebration of diversity and individuality. Doty portrays the Latin drag bar, Esta Noche, as a space where people from different backgrounds and experiences come together to express themselves. The variety of performers with names like Victoria, Elena, and Francie showcases this diversity. The poem celebrates the uniqueness of each performer, emphasizing their artistry and the beauty of their self-made personas.

Doty also explores the theme of performance as a form of empowerment and liberation. Lola’s stage presence and command of the audience exemplify this idea. Her performance becomes a lesson and a criticism of societal norms, empowering others to embrace their own identities and challenge societal expectations. For example, Lola’s gesture of raising her arms “like a widow in a blood tragedy” portrays her as a figure of strength and defiance, encouraging others to be true to themselves.

The poem also delves into the concept of clothing and costumes as symbols of freedom and permission. The dress Lola wears represents more than just an outfit; it becomes a metaphor for the mysterious permission to be fabulous and authentic. The dress gives Lola the confidence and authority to host the pageant, welcoming others to express themselves freely.

Furthermore, ‘Esta Noche’ explores the dichotomy between the traditional and the unconventional, as represented by the neighborhood’s storefronts and the drag bar. The traditional storefronts exhibit garments symbolizing fixed promises and perfection, contrasting with the liberating and boundary-breaking atmosphere of Esta Noche.

Through vivid imagery and the portrayal of Lola’s captivating persona, Doty brings these themes to life, highlighting the importance of self-expression and embracing one’s true identity.

Poetic Techniques and Figurative Language

Mark Doty employs various poetic techniques and figurative language in the poem ‘Esta Noche’ to effectively convey his message and create a vivid and engaging experience for the readers.

• Imagery: This is one of the notable poetic techniques used by Doty. He paints a vivid picture of Lola’s appearance, describing her dress with a “black tulip’s sheen” and her wig “fit for the end of a century.” These vivid visual descriptions immerse the readers in the drag bar’s atmosphere, allowing them to envision Lola’s captivating presence.
• Metaphors: Doty also utilizes metaphors to convey deeper meanings. He compares Lola’s fluidity between languages and genders to “gowns or genders,” highlighting the seamless and effortless nature of her identity shifts. The dress she wears becomes a metaphor for empowerment, as it grants her mysterious permission to be fabulous and authoritative on the stage.
• Personification: The poet further uses personification to animate inanimate objects. The cellophane drop “goes black,” and a new spotlight “coronas” Lola. By attributing human actions to the stage props, Doty adds a touch of drama and life to the setting, enhancing the overall theatrical atmosphere.
• Simile: Figurative language, such as simile, is employed to enrich the poem’s descriptions. Lola’s head is turned “slightly to one side,” like a subtle gesture of confidence and allure. This simile adds depth to Lola’s character and enhances the readers’ understanding of her presence on the stage.
• Enjambment: Doty employs enjambment effectively to create a smooth and flowing rhythm in the poem. For instance, the line “all will and black lace, and lipsyncs ‘You and Me” flows seamlessly into the next line, drawing the readers along with the performance’s energy.
• Alliteration: The use of alliteration, as seen in “flashing the one entrancing and unavoidable gap,” adds a musical quality to the language, making the poem more pleasing to the ear and enhancing its emotive impact.

Detailed Analysis

Stanza One

In a dress with a black tulip’s sheen
la fabulosa Lola enters, late, mounts the stairs
to the plywood platform, and begs whoever runs
the wobbling spot to turn the lights down

The first stanza of Mark Doty’s poem ‘Esta Noche’ sets the stage for the powerful message it conveys. Through vivid imagery and evocative language, the stanza introduces the central character, la fabulosa Lola, and her transformative presence in the drag bar.

The opening line, “In a dress with a black tulip’s sheen,” immediately captures the readers’ attention with its striking and mysterious imagery. The use of the word “sheen” suggests a glossy and lustrous appearance, while the comparison to a black tulip conveys a sense of rare beauty and elegance. This description immediately establishes Lola as a captivating figure, drawing the readers into her world.

The second line, “la fabulosa Lola enters, late, mounts the stairs,” further enhances Lola’s allure and charisma. The use of the Spanish word “fabulosa” emphasizes her fabulous nature and hints at her larger-than-life personality. Her arrival is characterized as “late,” indicating a sense of drama and anticipation, as if she commands attention and makes an entrance.

The phrase “mounts the stairs” not only suggests her physical movement but also symbolizes her rise to the spotlight and her elevation to a position of importance within the drag bar’s performance space. This positioning on the plywood platform elevates her above the crowd, emphasizing her status as a performer who is ready to captivate her audience.

The third line introduces an element of vulnerability and humanizes Lola as she “begs whoever runs the wobbling spot to turn the lights down.” This plea for the lights to be dimmed suggests a desire for a more flattering appearance, revealing a moment of insecurity despite her confident persona. It humanizes Lola, making her relatable and authentic, as even glamorous performers have moments of vulnerability and self-consciousness.

This first stanza sets the tone for the themes that will be explored in the poem, namely the contrast between appearance and reality, the power of transformation through performance, and the complexities of identity and self-expression. Lola, with her captivating presence and fluid identity, becomes a symbol of empowerment and liberation within the world of drag performance.

This first stanza of ‘Esta Noche’ serves as an enticing introduction to la fabulosa Lola, creating an aura of allure and intrigue. Through vivid imagery and carefully chosen language, Mark Doty conveys themes of beauty, vulnerability, and transformation, laying the foundation for a thought-provoking exploration of identity and self-expression in the rest of the poem.

Stanza Two

to something flattering. When they halo her
(…)
or genders to please have a little respect

In the second stanza of Mark Doty’s poem ‘Esta Noche,’ the focus remains on la fabulosa Lola as she prepares to perform on the plywood platform. This stanza delves deeper into the themes of self-presentation, language, and the power dynamics at play within the drag bar.

The stanza begins with Lola’s request for the lights to be adjusted “to something flattering.” This indicates her awareness of the importance of appearance and how it affects her performance. The desire to be seen in the best light possible reflects the universal human yearning for validation and acceptance, even for someone as confident and charismatic as Lola.

The phrase “When they halo her with a petal-toned gel” adds a touch of ethereal imagery. The use of “halo” suggests a divine or angelic quality, elevating Lola’s stage presence to something otherworldly and captivating. The “petal-toned gel” further enhances the imagery, evoking a delicate and dreamlike atmosphere around her. This image aligns with the earlier reference to a black tulip, creating a beautiful contrast between darkness and light.

As the spotlight accentuates her, Lola “sets to haranguing.” This verb choice suggests a passionate and forceful speech or performance, indicating that her act is not merely a passive display but an expressive and powerful address. Here, the poem highlights the performative aspect of drag as an art form, where the performers embody characters and voices that demand attention and respect.

The line “shifting in and out of two languages like gowns or genders” is a pivotal moment in the stanza, emphasizing the fluidity of Lola’s identity. Language and clothing are portrayed as interchangeable, emphasizing that both are tools of self-expression. The comparison of “gowns or genders” implies that Lola can effortlessly transform herself, challenging societal norms and expectations.

The stanza concludes with the phrase “to please have a little respect.” Here, Lola’s demand for respect becomes more poignant. It suggests that her performance is not just entertainment but a call for recognition and understanding. It highlights the struggles of individuals who defy conventional gender roles and seek acceptance and validation for their authentic selves.

Stanza Three

for the girls, flashing the one entrancing
(…)
a new spot coronas her in a wig

In the third stanza of the poem, the focus remains on la fabulosa Lola and her performance. This stanza delves deeper into the themes of gender expression, vulnerability, and the transformative power of the stage.

The stanza begins with Lola advocating “for the girls,” a phrase that suggests solidarity and support for her fellow performers. By doing so, Lola exemplifies the importance of unity within the drag community, highlighting the shared experiences and challenges faced by those who challenge gender norms.

The imagery of “flashing the one entrancing and unavoidable gap in the center of her upper teeth” adds a sense of allure and charm to Lola’s character. This distinctive feature becomes a symbol of her individuality and authenticity, as it is unapologetically showcased during her performance. The use of “entrancing” suggests that Lola’s unique qualities captivate and mesmerize the audience.

The following lines introduce an element of theatricality as the “cellophane drop goes black” and a “new spot coronas her in a wig.” The term “cellophane drop” likely refers to a type of stage backdrop used in theater, symbolizing a shift in the performance or setting. As the lights change, Lola undergoes a transformation, becoming a new character with the addition of a wig.

The word “coronas” adds a regal and majestic quality to Lola’s appearance, elevating her on the stage like a queen. This imagery emphasizes the transformative power of the stage and how performance allows individuals to become larger-than-life personas, transcending their everyday selves.

This stanza continues to explore the complexities of identity and self-expression within the context of drag performance. Lola’s advocacy for “the girls” and her unique appearance challenge traditional gender norms, highlighting the freedom and empowerment that come with embracing one’s true identity.

Furthermore, the stanza reinforces the idea that the stage is a realm of liberation and authenticity, where performers can shed societal expectations and embody their most empowered selves. Lola’s ability to shift and transform through performance underscores the notion that drag is not simply a form of entertainment but a profound act of self-revelation and expression.

Stanza Four

fit for the end of a century,
(…)
all will and black lace, and lipsyncs “You and Me

In this fourth stanza, Mark Doty’s focus remains on la fabulosa Lola as she continues her performance on the plywood platform. This stanza delves deeper into the themes of time, vulnerability, and the power of theatricality in self-expression.

The stanza begins with a description of Lola’s wig as “fit for the end of a century.” This phrase suggests a sense of timelessness and hints at the idea that Lola’s performance transcends the limitations of a specific era. It implies that her act is not confined to a particular moment but holds significance and relevance beyond the present.

The line “and she tosses back her hair—risky gesture—” adds an element of drama and vulnerability to Lola’s performance. The gesture of tossing back her hair is a daring and bold move, showing her confidence and defiance. The use of “risky” implies that such a gesture is not without consequences, reflecting the risks and challenges faced by those who challenge societal norms.

As Lola “raises her arms like a widow in a blood tragedy,” she assumes a posture that is both powerful and sorrowful. This evocative image suggests a sense of mourning or loss, perhaps alluding to the struggles and hardships faced by those who defy societal expectations. The juxtaposition of strength and vulnerability in this line further highlights the complexity of Lola’s character.

The phrase “all will and black lace” reinforces the theme of theatricality and performance. Lola embodies an aura of confidence and determination, represented by the phrase “all will.” The image of “black lace” adds a touch of elegance and sensuality, underscoring the artistry and allure of her act.

The stanza concludes with Lola “lipsyncing ‘You and Me against the World.'” This choice of song adds emotional depth to her performance, as it conveys a sense of unity and camaraderie in the face of adversity. The act of lipsyncing also serves as a metaphor for the fluidity of identity and self-expression, as Lola takes on the persona of the song’s performer while infusing it with her own charisma.

Stanza Five

against the World.” She’s a man
(…)
sadly narrative—but she’s a monument,

The focus of this fifth stanza shifts to the portrayal of la fabulosa Lola’s identity outside of her performance. This stanza delves into the themes of perception, appearance versus reality, and the power of self-expression through drag.

The stanza begins with the continuation of the song lyrics: “You and Me against the World.” This line serves as a reminder of the message of unity and strength conveyed through Lola’s performance. The act of defying the world together implies a sense of resilience and camaraderie among those who challenge societal norms.

The line “She’s a man you wouldn’t look twice at in street clothes” contrasts Lola’s stage persona with her everyday identity. Here, the poem highlights the stark contrast between Lola’s glamorous and captivating presence on the stage and the potential invisibility she may experience outside of her performance. This contrast draws attention to the power of theatricality and self-expression in shaping how others perceive and respond to individuals.

The description of Lola as “two hundred pounds of hard living” portrays her life experiences and challenges, suggesting a life marked by hardship and struggle. This depiction humanizes Lola, showing that behind her dazzling performance lies a complex and multifaceted individual with a unique history.

The phrase “the gap in her smile sadly narrative” further emphasizes Lola’s vulnerability and humanity. The gap in her smile becomes a symbol of her imperfections and hardships, adding depth to her character and making her more relatable to the readers.

Despite the challenges she may face, Lola is described as a “monument.” This description elevates her to a symbol of significance and importance, representing the power of self-expression and the resilience of those who defy societal norms. The term “monument” suggests that Lola’s presence and performance leave a lasting impact on the audience and the world around her.

Stanza Six

in the mysterious permission of the dress.
(…)
of a battered wall. All over the neighborhood

In the sixth stanza of Mark Doty’s poem ‘Esta Noche,’ the focus shifts to the setting of the poem and the significance of the Latin drag bar, Esta Noche. This stanza explores themes of empowerment, liberation, and the transformative power of the dress and the performance space.

The stanza begins with the line “in the mysterious permission of the dress,” which encapsulates the central idea of the poem. The dress symbolizes more than just an outfit; it represents the freedom and empowerment that come with self-expression. The phrase “mysterious permission” suggests that the dress allows individuals to step into a realm of liberation and authenticity, where they can embody their true selves without fear of judgment or censure.

The following lines introduce Esta Noche as a Latin drag bar located in the Mission neighborhood. The specificity of the location adds a sense of place and context to the poem, grounding it in a particular community where self-expression and diversity thrive.

The description of the bar’s black door as “a gap in the face of a battered wall” is metaphorical and powerful. The use of “gap” suggests an opening or portal, implying that the bar serves as an entryway to a different world where performers can transcend societal norms and expectations. The term “battered wall” conveys a sense of adversity and challenges, highlighting the resilience of the drag community in overcoming societal barriers.

The phrase “All over the neighborhood” implies that Esta Noche has a significant impact beyond its physical boundaries. It becomes a symbol of acceptance and liberation, inspiring and empowering individuals throughout the neighborhood to embrace their true selves.

This stanza captures the essence of the poem’s message about the transformative power of drag performance and the importance of spaces like Esta Noche. The dress becomes a symbol of empowerment and permission, allowing individuals to shed societal constraints and express their true identities. The bar itself, with its black door, serves as a portal to a world of acceptance and liberation, where performers can create a community that celebrates diversity and individuality.

Mark Doty is celebrating the significance of spaces like Esta Noche, where performers can find solace and strength, and where the power of self-expression is honored and revered. The poem conveys a message of unity, resilience, and the profound impact that embracing one’s authentic self can have on individuals and their communities.

Stanza Seven

storefront windows show all night
(…)
gowns of perfection and commencement,

In the seventh stanza, the focus shifts to contrast the Latin drag bar, Esta Noche, with the traditional storefronts in the neighborhood. This stanza explores themes of conformity, societal expectations, and the contrast between the conventional and the unconventional.

The stanza begins with the imagery of “storefront windows” showcasing various items, including “shrined hats and gloves, wedding dresses, First Communion’s frothing lace.” These storefronts represent traditional symbols of perfection, ceremonial attire, and fixed promises in various stages of life. The use of “shrined” suggests a sense of reverence and sanctity placed upon these items, as if they are sacrosanct and beyond reproach.

The phrase “gowns of perfection and commencement” further emphasizes the significance and gravity attributed to these traditional garments. They are associated with important milestones and ceremonies, symbolizing societal expectations and conformity to established norms.

The use of “frothing lace” adds a touch of vivid and evocative imagery, hinting at the complex and intricate web of expectations and social customs that surround these traditional garments. The term “frothing” implies a sense of excess or fervor, perhaps alluding to the pressure and intensity placed on conforming to these societal norms.

The juxtaposition of the drag bar Esta Noche with the traditional storefronts creates a stark contrast between the conventional and the unconventional. Esta Noche, with its unapologetic celebration of diversity and self-expression, stands in direct opposition to the rigid expectations represented by the storefronts.

Through this stanza, Mark Doty conveys a powerful message about the importance of embracing individuality and challenging societal norms. Esta Noche becomes a sanctuary of authenticity and self-expression, offering an alternative to the standardized and prescribed roles and expectations represented by the traditional storefronts.

The stanza prompts readers to question the value and meaning assigned to certain clothing and attire and to consider the transformative power of self-expression and the freedom that comes from embracing one’s true identity. The poem celebrates the uniqueness and authenticity found within the drag bar, Esta Noche, and underscores the importance of creating spaces where individuals can liberate themselves from societal constraints and find acceptance and empowerment.

Stanza Eight

fixed promises glowing. In the dress
(…)
in which she is in the largest sense

In the eighth stanza of ‘Esta Noche,’ the focus remains on Lola’s performance and the power of the dress she wears. This stanza explores themes of self-assurance, authenticity, and the transformative nature of self-expression through clothing.

The stanza begins by referencing the “fixed promises glowing” that the traditional garments in the storefronts represent. This phrase reinforces the idea that these garments are associated with societal expectations and predetermined roles. The use of “glowing” suggests a sense of allure and importance placed on these promises, emphasizing their significance in shaping societal norms.

The line “In the dress the color of the spaces between streetlamps” introduces the dress Lola wears on the stage. The choice of this dress, in contrast to the conventional attire in the storefronts, is significant. The “color of the spaces between streetlamps” suggests a mysterious and elusive quality, symbolizing the freedom and fluidity of identity found in the drag bar. It stands in opposition to the fixed and rigid expectations represented by the storefronts’ garments.

The phrase “Lola stands unassailable” portrays Lola as confident and unwavering in her identity and performance. Despite societal pressures and challenges, she remains resolute in her self-expression and refuses to be shaken by external judgments. This portrayal of strength and resilience highlights the empowering nature of self-acceptance and authenticity.

The repetition of “the dress” emphasizes its significance and centrality in Lola’s performance and identity. The dress becomes a symbol of empowerment and liberation, allowing Lola to embody her true self on the stage without fear or hesitation.

The line “in which she is in the largest sense” further underscores the transformative power of the dress. It implies that through this attire, Lola becomes her most expansive and authentic self, embracing the fullness of her identity without reservation or restraint.

Mark Doty is conveying a powerful message about the liberating and transformative nature of self-expression through clothing and performance. The dress Lola wears becomes a symbol of empowerment, allowing her to break free from societal constraints and embrace her true self.

The contrast between the conventional storefront garments and the dress Lola wears in the drag bar Esta Noche highlights the importance of challenging societal norms and embracing individuality and authenticity. The poem celebrates the strength and beauty found in self-assurance and the power of clothing as a means of expressing one’s true identity.

Stanza Nine

fabulous: a lesson, a criticism and colossus
(…)
and her head turned slightly to one side.

In the ninth stanza of Mark Doty’s poem, the focus remains on la fabulosa Lola’s performance and the powerful impact she has on the audience. This stanza delves into themes of gender fluidity, empowerment, and the artistry of drag as a form of self-expression.

The stanza begins with Lola being described as “fabulous,” a term that encompasses her charisma, confidence, and captivating presence. The use of this word sets the tone for the rest of the stanza, suggesting that Lola’s performance goes beyond mere entertainment; it holds deeper significance and power.

The line “a lesson, a criticism and colossus of gender” highlights the complexity and depth of Lola’s performance. Her act becomes a teaching moment, challenging societal norms and expectations regarding gender. She serves as a living critique of traditional gender roles and presents an alternative narrative that celebrates fluidity and authenticity.

The phrase “all fire and irony” adds layers of emotion and complexity to Lola’s character. The use of “fire” suggests passion, intensity, and power, while “irony” implies a sense of wit and satire. Lola’s performance becomes a powerful mix of emotional depth and playful critique, captivating the audience and inviting them to question preconceived notions about gender.

The physical description of Lola’s posture enhances the portrayal of her strength and confidence. Her “spine’s perfectly erect” suggests a sense of pride and self-assurance, further emphasizing her unyielding authenticity. The contrast between her steady spine and the fluidity of her hands creates a dynamic image, symbolizing the balance between strength and flexibility in her identity.

The phrase “her head turned slightly to one side” adds a touch of enigma and intrigue to Lola’s character. This gesture suggests a contemplative and thoughtful demeanor, hinting at the complexity of her persona and the depth of her self-expression.

Mark Doty is celebrating the power and artistry of drag as a form of self-expression. Lola becomes a symbol of empowerment, defying societal expectations and embracing the full spectrum of gender identity. The stanza conveys a message of embracing one’s authentic self and challenging the limitations imposed by societal norms. Lola’s performance becomes a testament to the transformative and empowering nature of self-expression through drag, inviting the audience to celebrate their own uniqueness and embrace the fluidity of identity.

Stanza Ten

She hosts the pageant, Wednesdays and Saturdays,
(…)
the artifice of the awkward or lovely

In the tenth stanza, the focus shifts to Lola’s role as the host of the pageant held at the drag bar. This stanza explores themes of community, acceptance, and the power of artifice and self-expression within the drag culture.

The stanza begins with the portrayal of Lola as the host of the pageant, held on Wednesdays and Saturdays. As the host, Lola becomes a central figure, setting the stage for other performers to showcase their artistry and self-expression. Her role as the host highlights her significance and influence within the drag community.

The phrase “men come in from the streets, the trains, and the repair shops” suggests that Esta Noche attracts people from diverse backgrounds and experiences. The drag bar becomes a gathering place, a sanctuary for those seeking a space of acceptance and celebration of self-expression. It becomes a space where individuals can break free from societal norms and embrace their true identities.

The use of “lean together to rank the artifice of the awkward or lovely” adds a touch of camaraderie and solidarity among the attendees. This line highlights the collaborative nature of the drag community, where individuals come together to appreciate and celebrate each other’s performances, regardless of whether they are deemed “awkward” or “lovely.”

The term “artifice” is noteworthy in this stanza. It acknowledges that drag performance involves a degree of artifice, where performers don costumes, wigs, and makeup to embody their personas on the stage. However, this artifice is celebrated and revered within the drag community as a powerful means of self-expression and liberation.

Through this stanza, Mark Doty conveys a message of unity and acceptance within the drag community. Esta Noche becomes a safe haven where individuals can shed societal expectations and embrace their true selves. The drag bar fosters a sense of belonging, where performers and audience members alike come together to celebrate the transformative power of self-expression and the artistry of drag.

The stanza celebrates the sense of community and empowerment that Esta Noche represents. It highlights the beauty of individuality and the freedom found in embracing one’s authentic self within the drag culture. The poem’s message reinforces the importance of creating spaces where individuals can express themselves freely, challenge societal norms, and celebrate the diversity and artistry of self-expression.

Stanza Eleven

Lola welcomes onto the stage: Victoria, Elena,
(…)
and flounced around the hips, liquid,

In the eleventh stanza of ‘Esta Noche,’ the focus remains on Lola as the host, welcoming other performers onto the stage. This stanza continues to explore themes of community, self-expression, and the transformative power of drag performance.

The stanza begins with Lola welcoming three performers onto the stage: Victoria, Elena, and Francie. By mentioning these names, the poem emphasizes the individuality and uniqueness of each performer. Each drag persona represents a distinct identity, celebrating the diversity and breadth of self-expression within the drag community.

The description of the performers’ attire, “lamé pumps and stockings,” adds a touch of glamour and allure. Lamé is a shiny, metallic fabric, often associated with glitz and extravagance, further enhancing the aura of spectacle and celebration on the stage.

The line “always the rippling night pulled down over broad shoulders and flounced around the hips” creates a vivid image of the performers’ fluid and graceful movements. The reference to the “rippling night” evokes a sense of mystery and enchantment, reflecting the transformative and captivating nature of their performances.

The description of “broad shoulders” and “flounced hips” further highlights the play with gender norms and expectations in drag performance. These descriptions challenge traditional notions of masculinity and femininity, embracing the fluidity and artistry of gender expression.

The word “liquid” adds an element of fluidity and movement to the description, suggesting the performers’ ability to transition between identities effortlessly. This fluidity becomes a source of empowerment and self-assurance as the performers embody a range of personas and emotions through their acts.

Through this stanza, Mark Doty celebrates the diversity and artistry of drag performance. Each performer becomes a testament to the power of self-expression and the celebration of individuality within the drag community. The poem emphasizes the importance of creating a space where performers can freely express themselves and challenge societal norms and expectations.

This stanza reinforces the message of unity, empowerment, and acceptance within the drag bar, Esta Noche. It highlights the beauty of embracing diverse identities and the transformative power of self-expression through drag performance. The poem celebrates the authenticity and strength found in the performers’ ability to embody various personas, challenging societal norms and expectations and creating a sense of belonging and celebration within the drag community.

Stanza Twelve

the black silk of esta noche
(…)
put it on. The costume is license

In the twelfth stanza of the poem, the focus shifts to the significance of the black silk of the drag bar, Esta Noche, and its role in challenging conventional notions of perfection and beauty. This stanza delves into themes of self-acceptance, the power of costumes, and the freedom found in embracing one’s true identity.

The stanza begins with the description of the black silk of Esta Noche, the fabric that envelops the drag bar. The use of “black silk” adds a sense of luxury and elegance to the setting, suggesting that Esta Noche is a place of allure and mystique. This description also contrasts with the conventional storefronts mentioned earlier in the poem, where traditional garments are on display.

The phrase “proving that perfection and beauty are so alien they almost never touch” challenges societal notions of perfection and beauty. Esta Noche becomes a space where performers embrace their unique identities and celebrate their individuality, rejecting the narrow standards of beauty imposed by society. The poem celebrates the beauty found in diversity and the empowerment that comes from embracing one’s authentic self.

The phrase “Tonight, she says, put it on” serves as a call to action, inviting individuals to don the transformative power of costumes and drag performance. It becomes an invitation to shed societal constraints and embrace the freedom of self-expression.

The use of “The costume is license” is significant. It suggests that the act of dressing up in drag becomes a form of permission, granting individuals the freedom to express themselves and step into their true identities. This license symbolizes the power of artifice and performance in liberating individuals from societal norms and expectations.

Through this stanza, Mark Doty conveys a powerful message about the transformative and empowering nature of drag performance. Esta Noche becomes a haven where individuals can challenge conventional notions of beauty and perfection and embrace their authentic selves. The act of putting on a costume becomes an act of self-empowerment, granting individuals the license to break free from societal constraints and embrace their true identities.

Stanza Thirteen

and calling. She says you could wear the whole damn
(…)
it’s the only thing we have to wear.

In the final stanza thirteen of Mark Doty’s poem ‘Esta Noche,’ the focus returns to Lola as the central voice of empowerment and self-expression. This stanza serves as a powerful and poignant conclusion to the poem, encapsulating the core message of embracing one’s true identity and celebrating the transformative power of drag performance.

The stanza begins with Lola’s statement, “and calling.” This phrase indicates that Lola’s message is not just a suggestion but a compelling invitation to action. The word “calling” suggests a sense of urgency and importance, emphasizing the significance of her message.

Lola then presents a powerful metaphor: “She says you could wear the whole damn black sky and all its spangles.” This metaphor encourages individuals to embrace the vastness of possibility and self-expression. The “black sky” represents the infinite potential for self-discovery and authenticity, while the “spangles” symbolize the dazzling and unique qualities that each person possesses.

The line “It’s the only night we have to stand on” further underscores the fleeting nature of life and the importance of seizing the opportunity for self-expression. This moment becomes a precious chance for individuals to step into their true selves and embrace their authentic identities without hesitation or fear.

The stanza concludes with Lola’s emphatic encouragement: “Put it on, it’s the only thing we have to wear.” Here, the act of putting on a costume becomes a metaphor for embracing one’s true self. The “it” refers to the transformative power of drag performance and self-expression. The poem emphasizes that individuals only have this one life to fully embrace their identity and experience the freedom that comes with authenticity.

Through this final stanza, Mark Doty’s poem celebrates the beauty and power of embracing one’s true self and the transformative nature of drag performance. Lola becomes a voice of empowerment, inviting individuals to shed societal expectations and embrace their unique identities. The poem’s message reinforces the significance of self-expression and the importance of creating spaces where individuals can freely express themselves without fear of judgment or rejection.

Overall, the final stanza serves as a profound and inspiring conclusion to the poem, leaving readers with a message of empowerment and the celebration of individuality. It serves as a reminder of the transformative and liberating power of embracing one’s true self and the value of creating spaces where all individuals can find acceptance and empowerment in the journey of self-discovery and self-expression.

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Similar Poetry

Those who enjoyed this poem may also wish to explore these other poems:

• ‘An American Sunrise’ by Joy Harjo – is a powerful poem about Native American culture written by the current Poet Laureate of the United States. The poem explores the struggles of the poet’s community and the successes and celebrations. 
• ‘Arabic’ by Naomi Shihab Nye – features a speaker’s forgetfulness concerning her mother tongue (Arabic) and culture.
• ‘Behaving Like a Jew’ by Gerald Stern – is a lyric poem with elements of an elegy. It includes the poet’s understanding of how suffering and death should be approached.