‘Plum flower temple’ by Natsume Sōseki is a beautiful, contemplative haiku that explores the natural world around a temple and quiet voices rising in the distance.
Sōseki's haiku effectively captures a serene and harmonious scene in nature and serves as a great example of the poet's skill with verse, something that is often less-commonly appreciated. The poem demonstrates that Sōseki was just a good of poet as novelist.
Plum flower temple:
Voices rise
From the foothills.
‘The lamp once out’ by Natsume Sōseki is a beautiful and thoughtful poem about the way that, once a lamp is out, one can actually see more. The stars appear in the window frame, something you can’t see with the lamp on.
This is a very good example of Natsume Sōseki's poetry. It is a haiku and demonstrates the best features of this distinctly Japanese form of verse. The poem engages with beautiful images, ones that are highly interesting and hard to forget, while also speaking simply about light and dark and life and death. The poem is quite short, but it still makes quite an impact, something that readers are sure to notice right away.
The lamp once out
Cool stars enter
The window frame.
‘The crow has flown away’ by Natsume Sōseki is a beautifully contemplative haiku about a crow, tree, and the whole natural world
This is a good, although not very well-known, example of Sōseki's verse. This poem showcases his ability to capture the essence of nature. Through concise language, Sōseki contemplates the subtleties of existence, drawing attention to the ordinary moments often overlooked.
The crow has flown away;
swaying in the evening sun,
a leafless tree.
‘Over the wintry’ by Natsume Sōseki is a short, evocative poem that captures the desolate beauty of a winter landscape. It’s written in the form of a haiku.
Natsume Sōseki's 'Over the wintry' is a wonderful example of his verse. His poetry showcases his introspective and contemplative nature, delving into themes of human emotions and the beauty of nature. His concise and evocative style in this poem captures profound moments with simplicity and precision. This piece should be regarded as one of the poet's best examples of verse and read alongside some of the best 19th-century Japanese poetry.
Over the wintry
forest, winds howl in rage
with no leaves to blow.
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