P Pablo Neruda

A Dog Has Died by Pablo Neruda

‘A Dog Has Died’ by Pablo Neruda is a heart-wrenching eulogy for the poet’s much-loved, deceased dog that also explores the dog’s personality and interactions with the speaker.

Neruda explores themes of animal/human relationships, companionship, and the afterlife. The tone is measured and strikingly direct throughout much of ‘A Dog Has Died.’ The poet takes a clear look at the life and death of his dog and what he expects for him in the afterlife. 

A Dog Has Died by Pablo Neruda

 

Summary of A Dog Has Died 

A Dog Has Died’ by Pablo Neruda is a moving elegy written after the death of the poet’s reserved and yet joyful dog. 

Throughout the poem, the poet takes the reader through the different aspects of his dog’s personality. He was not over-affectionate or overbearing. The dog did as he liked when he wanted to. He gave Neruda just enough attention for them to understand one another. Neruda spends the last stanzas of the poem discussing the joy his dog took in everything. He had the capacity to celebrate his life that humans don’t have. 

You can read the full poem here.

 

Structure of A Dog Has Died

A Dog Has Died’ by Pablo Neruda is an eight-stanza poem that is separated into uneven sets of lines. This version of this poem used for this analysis was translated by Alfred Yankauer. The shortest stanza has two lines and the longest has twelve. There is no single rhyme scheme that unites this piece nor there is there a common metrical pattern. But the fact that this is a translation from Spanish should be taken into consideration. There are very likely examples of half-rhyme and full rhyme at the ends of lines and within them in the original version.

 

Poetic Techniques in A Dog Has Died

Neruda makes use of several poetic techniques in ‘A Dog Has Died’. These include but are not limited to alliteration, simile, repetition, and enjambment. The first, alliteration, occurs when words are used in succession, or at least appear close together, and begin with the same sound. For example, “dog” and “died” in the first stanza and in the seventh and “manners” and “materialist” in stanza two.

Repetition the use and reuse of a specific technique, word, tone or phrase within a poem. There is a good example of this technique in the sixth stanza where Neruda uses the word “Joyful” three times in a row. This was done in order to emphasize his dog’s endless capacity for joy and the fact that he can take pleasure in everything that happens. It is something that Neruda envies.

Enjambement occurs when a line is cut off before its natural stopping point. Enjambment forces a reader down to the next line, and the next, quickly. One has to move forward in order to comfortably resolve a phrase or sentence. For example, the transition between lines two and three in the third stanza and lines one and two in the fifth stanza.

A simile is a comparison between two unlike things that uses the words “like” or “as”. A poet uses this kind of figurative language to say that one thing is similar to another, not like metaphor, that it “is” another. One example appears in the third stanza with the line “His friendship for me, like that of a porcupine”. 

 

Analysis of A Dog Has Died 

Stanza One

My dog has died.
(…)
next to a rusted old machine.

In the first stanza of ‘A Dog Has Died’ the speaker begins with a simple statement about his dog. He “has died”. Neruda addresses this loss in simple and direct language. There is nothing sentimental or emotional about these first lines. He buried his dog “next to a rusted old machine”. 

 

Stanza Two

Some day I’ll join him right there,
but now he’s gone with his shaggy coat,
(…)
where my dog waits for my arrival
waving his fan-like tail in friendship.

Neruda’s emotional connection to his dog is explored in greater depth in the new lines, as are his beliefs about the afterlife. He speaks of how one day he too will be buried in the ground next to the old machine. This shows that he values the dog’s life alongside his own. The burial place is just as good for him as it is for his dog. 

The next lines discuss the dog’s personality and Neruda’s belief and lack of belief in heaven. His dog had “poor manners” but he believes that there is a “heaven for all dogdom”. Somewhere his “dog waits for [his] arrival”. The last line holds an example of a simile. Neruda compares the dog’s tail to the movement of a fan that waves in “friendship”. Simple lines such as this give the reader insight into the poet’s relationship with his dog. 

 

Stanza There

Ai, I’ll not speak of sadness here on earth,
of having lost a companion
(…)
he never rubbed up against my knee
like other dogs obsessed with sex.

Rather than speaking of sadness, Neruda chooses to relive the happy moments the two shared. His dog was a companion who was “never servile”. He was more like a friend than a servant to Neruda but even then the friendship was difficult. The dog was aloof like a porcupine or a star. The dog was not overly affectionate which now seems to be something that Neruda appreciated. 

There is a good example of alliteration with “filling” and “full” in line ten of this stanza. Neruda believes that his dog was superior to others in most respects. 

 

Stanza Four

No, my dog used to gaze at me,
paying me the attention I need,
(…)
always near me, never troubling me,
and asking nothing.

The dog’s personality is fully fleshed out in the fourth stanza. He was, as the previous stanza stated, not overly affectionate. He did not demand too much attention nor did he give the poet more than he needed. The dog paid him just enough attention for them to understand one another.

Neruda saw a lot in his dog’s eyes including the special nature of their relationship. The dog’s “sweet and shaggy life” was spent with Neruda. He never asked for anything or troubled the poet with his presence. He was the perfect companion and now, as the first lines stated, “has died”. 

 

Stanza Five

Ai, how many times have I envied his tail
as we walked together on the shores of the sea
(…)
with his golden tail held high,
face to face with the ocean’s spray.

The “envy” that Neruda feels for his dog is continued in the next lines. He also brings back the dog’s tail and how it moved while they were “on the shores of the sea”. The mood in these lines is peaceful and wistful. The speaker is looking back on a time in which everything seemed in order. They were together in a beautiful setting and his dog was as happy as it is possible to be. 

There are further examples of alliteration in these lines with “held high” and and “face to face”. The imagery in these lines is also noteworthy. Neruda crafts a clear and impactful scene that appeals to several different senses. 

 

Stanza Six

Joyful, joyful, joyful,
(…)
of their shameless spirit.

There is a good example of repetition at the beginning of the sixth stanza. In this line, the poet uses the word “Joyful” three times. This is done in order to emphasize the limitless joy that his dog was capable of feeling. This was something that “only dogs know”. Humans do not have the same capacity. Although he does not state it directly it seems as though Neruda is jealous of this fact of life. They have a “shameless spirit” that humans can only envy.

 

Stanzas Seven and Eight

There are no good-byes for my dog who has died,
(…)
and that’s all there is to it.

The final two stanzas of ‘A Dog Has Died’ are the shortest of the poem with two lines each. The first of these couplets addresses the fact that there are now “no good-byes” for his dog. They always had an honest relationship and nothing has changed now that he’s gone. The simplest of the first lines of the poem return in the final couplet. He speaks directly about the death of his dog and how that is “all there is to it”. 

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About
Emma graduated from East Carolina University with a BA in English, minor in Creative Writing, BFA in Fine Art, and BA in Art Histories. Literature is one of her greatest passions which she pursues through analyzing poetry on Poem Analysis.
  • Kimberly bantang says:

    what is point of view of this poem?

    • Lee-James Bovey says:

      It’s written from a first-person perspective.

  • >

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