‘Ozymandias’ is about the nature of power. It is an important piece that features how a great ruler like Ozymandias, and his legacy, was prone to impermanence and decay.
This poem is a prime example of Shelley's poetry in several ways. It reflects his political and social radicalism, which is evident in his condemnation of tyrants and his belief in the power of literature to bring about social change. The poem portrays the hubris of a ruler who believed that his power and fame would last forever, only to be forgotten by history.
I met a traveller from an antique land,
Who said—“Two vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
‘Ode to the West Wind’ was written in Cascine Woods, outside of Florence, Italy, and published in 1820. It focuses on death’s necessary destruction and the possibilities of rebirth.
Percy Bysshe Shelley was a key figure in the Romantic movement, and 'Ode to the West Wind' encapsulates many themes prevalent in his work, such as the awe of nature and the desire for societal and personal transformation. Shelley often sought to break conventional boundaries, both in form and content, and this is visible in the poem's intricate structure and profound thematic depth. This piece is one of his most important and commonly studied.
O wild West Wind, thou breath of Autumn’s being,
Thou, from whose unseen presence the leaves dead
Are driven, like ghosts from an enchanter fleeing,
Yellow, and black, and pale, and hectic red,
‘To a Skylark’ by Percy Bysshe Shelley is an ode. It celebrates the beauty of nature and the bliss of a skylark’s song.
This poem is a great example of Shelley's poetic style, characterized by his use of vivid imagery, lyrical language, and celebration of nature's beauty and majesty. Like many of Shelley's works, this poem celebrates the beauty and freedom of nature and its ability to inspire and uplift the human spirit. The skylark in the poem is personified as a "blithe spirit" whose song is compared to the music of the spheres.
Hail to thee, blithe Spirit!
Bird thou never wert,
That from Heaven, or near it,
I dream'd that, as I wander'd by the way
Bare Winter suddenly was changed to Spring,
And gentle odours led my steps astray,
Mix'd with a sound of waters murmuring
O world! O life! O time!
On whose last steps I climb,
Trembling at that where I had stood before;
When will return the glory of your prime?
‘A Song: “Men of England”’ by Percy Bysshe Shelley is a Romantic poem that calls for the English revolution. It is set in England in 1819 when the poem itself was written.
Men of England, wherefore plough
For the lords who lay ye low?
Wherefore weave with toil and care
The rich robes your tyrants wear?
I weep for Adonais—he is dead!
Oh, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
An old, mad, blind, despised, and dying King;
Princes, the dregs of their dull race, who flow
Through public scorn,—mud from a muddy spring;
Rulers who neither see nor feel nor know,
The awful shadow of some unseen Power
Floats though unseen among us; visiting
This various world with as inconstant wing
As summer winds that creep from flower to flower;
Life of Life! Thy lips enkindle
With their love the breath between them;
And thy smiles before they dwindle
Make the cold air fire; then screen them
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Rarely, rarely, comest thou,
Spirit of Delight!
Wherefore hast thou left me now
Many a day and night?
I arise from dreams of Thee
In the first sweet sleep of night,
When the winds are breathing low
And the stars are shining bright:
The fountains mingle with the river
And the rivers with the ocean,
The winds of heaven mix for ever
With a sweet emotion;
‘Mutability’ by Percy Bysshe Shelley is a description of the variable nature of our world and the fleeting lives of human beings.
We are as clouds that veil the midnight moon;
How restlessly they speed, and gleam, and quiver,
Streaking the darkness radiantly!—yet soon
Night closes round, and they are lost for ever:
‘On the Medusa of Leonardo Da Vinci..’ by P.B. Shelley describes the beautiful and terrifying gaze of Medusa and the speaker’s perception of her life.
It lieth, gazing on the midnight sky,
Upon the cloudy mountain peak supine;
Below, far lands are seen tremblingly;
Its horror and its beauty are divine.
One word is too often profaned
For me to profane it,
One feeling too falsely disdained
For thee to disdain it;
‘Stanzas Written in Dejection, near Naples’ by Percy Bysshe Shelley describes the feelings a speaker suffers from and how he attempts to sooth his pain.
The sun is warm, the sky is clear,
The waves are dancing fast and bright,
Blue isles and snowy mountains wear
The purple noon's transparent might,
I wield the flail of the lashing hail,
And whiten the green plains under,
And then again I dissolve it in rain,
And laugh as I pass in thunder.
‘The cold earth slept below’ by Percy Bysshe Shelley describes the state of the world on a freezing winter night and the discovery of a lover’s cold body.
The cold earth slept below;
Above the cold sky shone;
And all around,
With a chilling sound,
When the lamp is shattered,
The light in the dust lies dead—
When the cloud is scattered,
The rainbow's glory is shed.
‘The Indian Serenade’ by Percy Bysshe Shelley is a dreamlike, lyrical love poem told from the perspective of a desperate lover.
I arise from dreams of thee
In the first sweet sleep of night,
When the winds are breathing low,
And the stars are shining bright:
On a poet's lips I slept
Dreaming like a love-adept
In the sound his breathing kept;
Nor seeks nor finds he mortal blisses,
‘The Question’ by Percy Bysshe Shelley tells of a dream in which a speaker encounters a vast forest of pristine, blooming flowers.
I dreamed that, as I wandered by the way,
Bare Winter suddenly was changed to Spring,
And gentle odours led my steps astray,
Mixed with a sound of waters murmuring
Now the last day of many days,
All beautiful and bright as thou,
The loveliest and the last, is dead,
Rise, Memory, and write its praise!
Unfathomable Sea! whose waves are years,
Ocean of Time, whose waters of deep woe
Are brackish with the salt of human tears!
Thou shoreless flood, which in thy ebb and flow
Ariel to Miranda.—Take
This slave of Music, for the sake
Of him who is the slave of thee,
And teach it all the harmony
Swiftly walk o'er the western wave,
Spirit of Night!
Out of the misty eastern cave,
Where, all the long and lone daylight,
Art thou pale for weariness
Of climbing heaven and gazing on the earth,
Wandering companionless
Among the stars that have a different birth, —
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