Carpet-weavers, Morocco
by Carol Rumens
‘Carpet-weavers, Morocco’ is a challenging poem which explores issues such as child labour as well as examining the myriad origins of beauty.
Beauty is and will remain one of the important themes in poetry. There are a number of ways to define beauty. Literally, beauty is a set of qualities that pleases one’s aesthetic senses. What is beautiful in one’s sight, cannot appear as beautiful in that of others. This is why we find several interpretations of beauty in poems from different periods.
Consider the definition of beauty by John Keats, one of the famous poets of the British Romantic period. In ‘Ode on a Grecian Urn,’ he defines: “Beauty is truth, truth beauty,— that is all.”
How do other poets describe beauty? In order to find out, dive into this list of incredible poems. You can also explore these best-loved poems about beauty.
‘Carpet-weavers, Morocco’ is a challenging poem which explores issues such as child labour as well as examining the myriad origins of beauty.
In ‘The Tables Turned,’ Wordsworth invites us to break free from the constraints of modern society and rediscover the natural world’s beauty and wisdom.
‘Indian Weavers’ explores the inevitability of death while celebrating the cycles of human existence and experience.
‘Permanently’ by Kenneth Koch is a poem that compares the speaker’s love to the part of speech they view as the most essential.
‘The Rose That Grew From Concrete’ is a moving celebration of personal resolve against the backdrop of oppressive forces.
‘A Bird, came down the Walk’ by Emily Dickinson is a beautiful nature poem. It focuses on the actions of a bird going about its everyday life.
‘A Muse of Water’ by Carolyn Kizer is a unique poem that places women as a force of nature, like water, that men attempt to control, redirect, and oppress.
‘Next Day’ by Randall Jarrell is a confessional poem with a conversational tone that articulates the complex emotions of aging and change.
‘Lampfall’ by Derek Walcott dives deep into an investigation of thought, dreaming, community and connection while also implying that nature and thought are more meaningful than development.
‘[London, my beautiful]’ by F.S. Flint describes one speaker’s love for the city of London and how he feels the city improves others and himself.
‘29 April 1989’ by Sujata Bhatt is a sweet, little piece about a mother’s sudden found pleasure in nature’s soggy musicality.
‘A Bird That Was Most Used Up’ by Riyas Qurana is a four stanza poem about creativity. Here the poet illustrates himself and his creativity as an infinite source of greatness in his poetic writing
‘A Butterfly Talks’ is a children’s poem written by the American poet Annette Wynne. In this short poem, the poet emphasizes the splendor of simple things in nature.
‘A Description of the Morning’ by Jonathan Swift describes the various events happening one morning in London’s West End in the early 1700s.
Written in response to fellow poet Coventry Patmore’s poem The Angel in the House (1854), ‘A Face’ by Robert Browning explores the poet’s fascination with a lady’s portrait, particularly her facial features depicted in it.
‘A False Step’ written by Elizabeth Barret Browning explores how a woman regrets her heartless action taken during her youth.
‘A Former Life’ by Charles Baudelaire speaks on a the poet’s own imagination and how his creative works are born there and are at his beck and call.
‘A Hymn to the Evening’ by Phillis Wheatley describes a speaker’s desire to take on the glow of evening so that she may show her love for God.
‘A Limb Just Moved’ is a poem attributed to Mirabai, a Hindu mystic and Bahkti saint who lived in the sixteenth century and was well-known for her incredible devotion to Krishna, and to her faith.
‘A Song: Ask me no more where Jove bestows’ by Thomas Carew describes how in winter beauty doesn’t die, rather, it moves from nature to the listener’s body.
‘A Thing of Beauty is a Joy Forever’ is famous as the first book in John Keats’ epic, ‘Endymion.’ It is based on the tale of Endymion, whose beauty was of such joy to Selene that it immortalized him for the rest of his days.
‘A Winter Blue Jay’ by Sara Teasdale tells of a perfect day in which the speaker and her companion find the pinnacle of their love, and then surpass it.
‘After Love’ by Sara Teasdale expresses a relationship situation where, despite the “peace” and “safe[ty]” felt within it, the narrator still feels disappointed.
‘Afternoons’ by Philip Larkin presents a brief depiction of post-war Britain. He explores less than ideal family relationships and gives the period an overall gloomy tone.