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Key Poem Information

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Central Message: Children exaggerate to avoid responsibilities humorously.

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Speaker: Unknown

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Time Period

20th Century

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Sick by Shel Silverstein Visual Representation
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About this Poem

The poem satirizes avoidance tactics with exaggerated ailments, revealing the humor in childlike deceit.

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Emma Baldwin
Emma BaldwinVerifiedVerified Expert
BA (English)Minor Creative WritingBFA (Fine Art)BA (Art Histories)
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Peggy Ann McKay, the speaker of ‘Sick,’ does her best to convince her parents that she is much too ill to attend school that day. Silverstein uses techniques such as hyperbole to make her excuses increasingly outlandish and over the top. The poem was meant to be enjoyed by children and adults alike, just as is the majority of Silverstein’s work.

Before reading Shel Silverstein's poem 'Sick,' keep these tips in mind:

  • Context: Understand that the poem is meant to be humorous and exaggerated, reflecting a child's playful attempt to avoid school.
  • Tone: Look for the whimsical and absurd elements that drive the humor, such as the increasingly ridiculous ailments.
  • Perspective: Consider how the poem might be a playful critique of both childhood behavior and adult excuses.
  • Enjoyment: Embrace the exaggeration and whimsical nature as a key part of the poem's charm.
Sick
Shel Silverstein

"I cannot go to school today,"Said little Peggy Ann McKay."I have the measles and the mumps,A gash, a rash and purple bumps.My mouth is wet, my throat is dry,I'm going blind in my right eye.My tonsils are as big as rocks,I've counted sixteen chicken poxAnd there's one more—that's seventeen,And don't you think my face looks green?(...)

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Sick Sick

Shel Silverstein

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Sick by Shel Silverstein


Summary

Sick’ by Shel Silverstein is a light-hearted depiction of a child who does whatever she can to convince her parents she can’t go to school.

The poem begins with the speaker stating that she is not going to school. There is an endless number of reasons she supplies her parents to support her decision. These come list-like in the next thirty-one lines. They range from having measles to a cough and a shrunken brain. It’s unclear if the child speaker knows how absurd she sounds. (But the reader should be enjoying her very funny attempts at coercion.) This is a fact that makes the poem all the more amusing. Especially when one gets to the end and it turns out it was Saturday all along.

Expert Commentary

Emma Baldwin

Insights by Emma Baldwin

B.A. English (Minor: Creative Writing), B.F.A. Fine Art, B.A. Art Histories

The idea that 'Sick' is not simply an attack on children’s exaggeration could be examined.  By portraying Peggy as a character who complains about various diseases and presenting her complaints as an exaggeration of adult society, Silverstein raises the audience’s awareness of the fact that people often make up various diseases to avoid work. This reading encourages the readers to look at their rationalizations and the world’s rationale.


Structure

‘Sick’ by Shel Silverstein is a thirty-two line poem that is contained within one block of text. The lines are structured in a particular rhyme scheme. It follows the pattern of AABBCCDD, and so on, alternating end sounds as the lines progress. This pattern is common within Silverstein’s work.

The poem was aimed at a younger audience, therefore the sing-song like the rhythm of the lines is perfect. It is used to make the lines more pleasing to read as well as listen to. The pattern also should help keep a child’s attention for longer. He also achieves this through the humorous nature of the content. The events of the poem should be relatable to the child hearing or reading it.

Speaker, Tone, and Mood

The speaker, who is a young girl named Peggy Ann McKay, is doing her best to figure out a way not to go to school, and as the poem progresses the number of claims of ill health gets more and more outlandish. The fact that there are so many different things she comes up with adds to the lighthearted nature of the text. Her tone throughout the poem varies at times, with the repetition of claims of illness, it is clear how desperate she feels to find a way out of school.

 Other times, it’s impossible not to laugh at the absurdity of her claims. It’s unclear whether or not she realizes how her words sound, but the writer’s mood is definitely lighthearted. The speaker’s tone changes immediately in the last lines when she finds out that it is Saturday. Any sense of depression she might have channeled at her parents vanishes and she is gone, the monologue over. 

Poetic Techniques

Although this piece was written with an audience of children in mind, there are still a number of poetic techniques that are worth taking note of. For example, Silverstein makes use of anaphora. This is a kind of repetition in which the beginning word or phrase in a line is repeated multiple times. It can be seen most clearly with the word “My.” The word pops up at the beginning of thirteen of the thirty-two lines. 

“I” or “I’m” is also quite common. These focus the text heavily on the first-person narrator. She is consumed with her own state of being and trying to convince the listener/s, her parent/s, that she is too ill to go to school. 

Alliteration is another technique that’s used well within ‘Sick.’ It too helps with the flow of the text and continued engagement on the part of the reader. Lines 15, 16, and 18 are great examples. Here, a reader will notice the phrases, “ hip hurts,” “ belly button’s” and “‘pendix pains.” The repetition of the letter at the start of these words contributes to individual catchy phrases. Both of these techniques, and others, are used to simply enhance one’s experience when reading the text, rather than allude to deeper meanings or tap into traditions of writing.

Detailed Analysis

Lines 1-6

“I cannot go to school today!”
Said little Peggy Ann McKay
(…)
My mouth is wet, my throat is dry
I’m going blind in my right eye

In the first lines of this piece, the young speaker begins by stating that she cannot “go to school today. There is no hesitation in this statement, nor is there any throughout the thirty-one following lines. She is determined not to go to school and she’ll do anything she can to convince her parents that she has a good reason not to go. The narrator of the poem, the person who is telling the story of Peggy Ann McKay, only speaks a few times. Otherwise, ‘Sick’ is a complete monologue. 

The first two things she mentions are the “measles and the mumps.” They are followed by two rhyming words “A gash, a rash.” These could be associated with “measles and mumps,” but to Peggy, it doesn’t really matter. The next lines just build off of her first statements. She adds that her, 

Mouth is wet, [her] throat is dry 

[She’s] going blind in [her] right eye. 

The fact that all of these lines rhyme makes it even harder to believe what she’s saying. The statements are already absurd but the rhyming makes them seem even less likely if that’s possible. 

Lines 7-12

My tonsils are as big as rocks
I’ve counted sixteen chicken pox
(…)
My leg is cut, my eyes are blue
It might be instamatic flu

The next lines contain a number of moments of repetition. The word “My” begins with two of the lines, and the word “And” starts two more. There are also a few dashes in this portion of ‘Sick.’ They are used to show pauses in the speaker’s phrases and also increase the few moments of enjambment. Such as between lines twelve and thirteen with the phrase, 

My leg is cut—my eyes are blue—

It might be instamatic flu.

The final line utilizes the word “instamatic.” This word is not normally associated with sickness (a result perhaps of the speaker’s youth) but its meaning in this context is clear. She has gotten the flu instantly, without warning. This is why her parents are only hearing about it now. This statement comes after a number of others that claim she has enlarged tonsils, chickenpox, and a green face. 

Lines 13-18

I cough and sneeze and gasp and choke
I’m sure that my left leg is broke
(…)
My back is wrenched, my ankle’s sprained
My ‘pendix pains each time it rains

These lines also use the word “My” a great deal. It starts four of the lines. Its repetition helps to increase the list-like feel of much of ‘Sick.’ The speaker is going to continue making outlandish statements about her health until someone stops her. They come one after another without a pause. 

From line 13 to line 18, among other things, she claims to have a cough, a hip that hurts, a “wrenched’ back, and a sprained ankle. These last couple of phrases are interesting as it’s clear she got them from those around her. The statement about the “‘pendix” hurting when it rains for example. Of the “wrenched” back. These are the pains of an older person. 

Lines 19-24

My nose is cold, my toes are numb
I have a sliver in my thumb
(…)
I think my hair is falling out
My elbow’s bent, my spine ain’t straight

Next, the speaker states that one of the reasons she can’t go to school is because her “nose is cold” and her “toes are numb.” Still, this isn’t enough. She moves to her thumb, neck, and voice. They are all hurting or disabled in some way. She is barely able to speak and her “hair is falling out.” 

Lines 25-31

My temperature is 108
My brain is shrunk, I cannot hear
(…)
You say today is Saturday? Ha-ha
G’bye, I’m goin’ out to play”

It is in the last lines of ‘Sick’ that Silverstein’s characteristic twist ending occurs. He is known for increasing the humor of his poetry at the last moment or supplying some surprising detail that changes one’s opinion of the speaker or the previous lines. 

In this case, it is the speaker who is surprised. After listing out a number of other maladies, from a shrunken brain to a hangnail, she is told that it is Saturday. There was no reason for her excuses after all. This immediately makes her stop talking and she runs off to play outside. 

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Sick by Shel Silverstein

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Poet:
Period:
Nationality:
Themes:
77
Emotions:
80
Form:

Shel Silverstein

99
She comes up with a collection of reasons, which she thinks are perfectly valid, why she should stay home instead. As she speaks, the claims of ill health get more and more outlandish. The fact that there are so many different things she comes up with adds to the text’s amusing nature. At the end of the poem, she realizes that all these excuses are unnecessary and that it was Saturday all along. This is considered one of the best poems by Shel Silverstein.

20th Century

70
‘Sick’ is an example of the poetry of the 20th century by its rather light and whimsical manner, which is in contrast with the majority of the severe or avant-garde poems of the period. Although it does not belong to the introspective or avant-garde tradition of the period, the humor and the general accessibility of the poem are reminiscent of the period’s search for new forms and topics. Silverstein’s work is more childish and funny as well as it targets the younger audience.
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American

83
‘Sick’ is also one of the most creative and humorous poems in American poetry which describes childhood imagination. Unlike some of the other pieces of art from the period, it is playful and portrays the over-the-top view of the world from a child’s perspective with a lot of appeal. The characters have very vivid and exaggerated sicknesses and there is a nice twist at the end, which is a sign of Silverstein’s talent to tell simple yet very interesting stories to people.
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Disappointment

72
This poem is also able to convey the theme of disappointment in Peggy’s numerous reasons as to why she cannot go to school. Her symptoms are an overdose of fictional diseases which is the child’s wish to be free from school and its boring lessons. The last episode is amusing as Peggy wakes up and checks the time and realizes it is Saturday, therefore she could have spared herself all the drama of lying.
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Failure

77
'Sick' is related to the theme of failure as it presents Peggy’s failure to attend school by providing more and more absurd reasons. Her list of diseases is rather Arcadian, which makes her story more than unbelievable and rather pointless. The poem is also ironic in a way that Peggy’s grand plan of manipulating people to avoid responsibility does not work, thus reflecting the general absurdity of attempts to avoid obligations.
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Identity

78
The poem explores the theme of identity as Peggy uses the symptoms that she does not have to express herself. Her list of ailments is quite creative since she tries to come up with a different reason as to why she should not attend school. This is because, through this, Silverstein can highlight how children can come up with some form of an imaginative explanation to define who they are and gain control over their experiences.
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Amusement

73
This poem creates humor through the overemphasis on Peggy’s sicknesses in the poem. Her list of excuses is getting more and more ridiculous, for instance, she says that her tongue fills up her mouth and her brain is shrinking and this makes the story quite hilarious. This over-exaggeration of the symptoms is rather comical and amusing to the readers and hence they are more likely to respond with humor.
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Confusion

75
These include a list of diseases that are nebulous and contradictory thus creating confusion. Peggy’s descriptions are so hyperbolical and diverse that they give the audience doubts about the authenticity of her words. This is made clear in a humorous manner when it is pointed out that it is Saturday, thus demonstrating the poem’s playful attitude towards the theme.
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Laughter

67
The poem provokes laughter with a funny and overemphasized description of the child’s efforts to escape from school. The detailed list of Peggy’s diseases together with the comic relief that is used in the story makes it funny as well as gives the story a twist at the end. The element of play and the element of reversal bring a great amount of enjoyment and fun, which results in the act of laughing.
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Relief

80
A sigh of relief is seen in Peggy when she realizes that she did not have to go through all the trouble of trying to avoid school because it was a Saturday. This change from the long list of her ills to the plain fact is quite funny. The relief is because she finally understands that all her attempts to create drama were in vain, which gives her story a nice ending.
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Absurdism

61
The poem is about the theme of absurdity because Peggy gives a long list of grievous diseases that help her evade school. Some of the symptoms that she displayed include having a “tongue filling up her mouth” and a “shrink- ing brain” which are an exaggeration of the actual symptoms. This hyperbole is rather amusing and points to the fact that she is making up some very unconvincing excuses, which is in accord with the theme of the work, which is absurdity.
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Alliteration

90
This well-loved children’s poem contains numerous examples of alliteration. The use of alliteration is fairly common in poems for young readers. Authors use it to make interesting sounding lines and interesting lines to read that should keep a child’s attention.
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Childhood

66
‘Sick’ explores the theme of childhood through Peggy’s vivid and hyperbolic reasons which she gives for being unable to attend school. This poem brings out a child’s imagination and the ability of kids to come up with all sorts of excuses to avoid work. This is quite typical for children and the way they try to escape from work as well as the playfulness of such actions.
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Education

61
'Sick' is connected to education in a rather subtle manner, and the show particularly zeroes in on how Peggy tries to avoid school. The poem satirically depicts the children’s reluctance to go to school and the extent children will go to avoid going to school. It is a typical manifestation of the child’s attitude to school and can be considered a humorous view of the reluctance to do work.
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Imagination

71
This is evident in the way Peggy describes her illnesses in a very creative and dreamlike manner. Her list that contains some absurd reasons such as her “brain shrinking” shows how people employ their imagination to come up with a long list of excuses. Silverstein emphasizes the ability of a child’s imagination and how it helps to create believable stories, even if they are full of miracles.
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Sickness

73
Sick' is a monologue about a youngster who decides to feign a sickness in order to avoid school. The kid feigns and fabricates more bizarre symptoms to persuade parents that they are too ill to attend school. These reasons increase throughout the poem, eventually leading to a delightfully ludicrous predicament.
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Block Form

81
The block form in 'Sick' consists of continuous lines of text without stanza breaks, giving the poem a flowing, uninterrupted appearance. This form mirrors the frantic and breathless nature of Peggy's exaggerated list of ailments, enhancing the sense of urgency and drama in her excuses. The unbroken structure also reinforces the poem’s humor by maintaining a rapid, whimsical pace throughout.
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Emma graduated from East Carolina University with a B.A. in English, minor in Creative Writing, B.F.A. in Fine Art, and B.A. in Art Histories. Literature is one of her greatest passions which she pursues through analyzing poetry on Poem Analysis.
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