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Key Poem Information

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Central Message: Art cannot capture or redeem true suffering.

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Speaker: Unknown

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Poetic Form

Free Verse

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Time Period

20th Century

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Decomposition by Zulfikar Ghose Visual Representation
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About this Poem

The poem critiques exploiting human suffering for art, revealing ethical and emotional disconnect.

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Sudip
SudipVerifiedVerified Expert
BA (Hons - First Class) English Literature
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‘Decomposition’ is one of the best-known poems of Zulfikar Ghose. Ghose is mainly famous for his novels but he has also written a variety of poems. Some of them are based on the contemporary situation of India. Likewise, in this poem readers can find an image of a beggar lying beside the road helplessly as if the body has already turned into a corpse and decomposing. Zulfikar’s composition is centered on this humane decomposition. Though it has not started biologically, for hunger and poverty, it has already started in the beggar’s heart.

Before reading 'Decomposition' by Zulfikar Ghose, consider the following tips: • Context: The poem is a portrayal of the social issues of Bombay, particularly where art meets the suffering of people. • Themes: Pay attention to such motifs as social alienation, the ethical choice of the artist, and existentialist consideration. • Imagery: Pay attention to the imagery of the beggar and the city that helps to support the poem’s criticism. • Perspective: Consider the extent to which the poem challenges the concept of art as a form of capturing real life and people’s suffering.

Decomposition
Zulfikar Ghose

I have a picture I took in Bombayof a beggar asleep on the pavement:grey-haired, wearing shorts and a dirty shirt,his shadow thrown aside like a blanket.His arms and legs could be cracks in the stone,routes for the ants’ journeys, the flies’ descents,Brain-washed by the sun into exhaustion,he lies veined into stone, a fossil man.(...)

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Decomposition Decomposition

Zulfikar Ghose

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Summary

‘Decomposition’ by Zulfikar Ghose describes a picture of an old beggar in the street of Bombay, a city in India, and how the poet thinks of such a representation as an art.

The poem begins directly with the picture that the writer clicked one day. In the photograph, a beggar is sleeping on the pavement. He is old, weary, and wearing dirty clothes. Ghose depicts this person in a manner that seems like the beggar’s body is already decomposing. It is so lifeless even the ants and flies are having a casual stroll over his body. There is a pavement trickster in the scene. His tricks grab the attention of the crowd. But the numb body of that old man cannot. The speaker called the picture “The Man in the Street”. At the end of the poem, he introspects on his presumption to compose a poem on this picture.


Expert Commentary

Sudip

Insights by Sudip

First-class B.A. Honors and Masters Degree in English Literature

In the ‘Decomposition’, the beggar’s incorporation with the pavement may well represent total transcendence of pain, meaning that the misery that the beggar seems to be in is an illusion created by society. Instead of just questioning the process of artistic commodification, Ghose’s portrayal may make us think about the distinction between pain and art, and whether it is possible to feel for the characters without being in pain ourselves. This point of view raises questions about the possibility of art to represent human experience.


Structure

Zulfikar’s ‘Decomposition’ consists of five four-line stanzas. There are a total of twenty lines that don’t rhyme at all. It’s a free verse poem without any set rhyme scheme. The poet mainly maintains the flow with the help of internal rhymings. The sound scheme of this poem is monotonous as there is no frequent use of repetition or rhymes. Another important thing to mention regarding the structure is that each stanza consists of a single line. There is only one full stop at the end of each stanza. It means that in each quatrain, the poet depicts everything within one sentence.

Literary Devices

In Ghose’s ‘Decomposition,’ the following literary devices can be found. This list is not limited to the devices mentioned below.

  • Enjambment: It occurs throughout the poem. In each stanza, the lines are joined together by the use of this device. For example: “Behind him there is a crowd passingly/ bemused by a pavement trickster and quite”
  • Simile: “his shadow thrown aside like a blanket”
  • Metaphor: Ghose uses the following metaphors in this poem: “cracks in the stone” and “a fossil man”
  • Metonymy: “grey-haired,” and “Brain-washed by the sun into exhaustion”
  • Paradox: This device is present in the last stanza. It occurs in these lines: “presumption at attempting to compose/ art of his hunger and solitude.”


Detailed Analysis

Stanza One

I have a picture I took in Bombay

(…)

his shadow thrown aside like a blanket.

Zulfikar Ghose’s poem ‘Decomposition begins with the first-person speaker pointing at a photograph he clicked. The picture was taken in Bombay. It’s the largest Indian city and financial center on the west coast. This city is now called Mumbai. It was formerly known by the name mentioned in the poem. This reference gives a hint that the poet is going to present something amazing.

But, the photograph was of a beggar who was asleep on the pavement. In this way, the first two lines create a stark contrast between resourcefulness and poverty. On one hand, the city was booming as a financial center of the country. On the other hand, there was rising tension of poverty and hunger. This image of the beggar describes it better.

The person is “grey-haired”. It means he is old, probably above the age of sixty years or more. He is wearing shorts and a dirty shirt. The reference to the dresses worn by the beggar is interesting. Typically, the poor don’t have such things to put on. He might have taken those clothes from somewhere. His shadow felt on the opposite side. This shadow appeared to the poet as a blanket thrown aside.

Stanza Two

His arms and legs could be cracks in the stone,

(…)

he lies veined into stone, a fossil man.

The second stanza gives further details of the beggar of his photograph. His arms and legs are like the “cracks in the stone”. Due to malnourishment, he became so lean that his bony arms and legs look like the cracks in the pavement-stone. Ants carelessly journeyed over the beggar’s body. Flies descended on his arms and legs. In this way, Zulfikar depicts how the body had already started to decompose. These little images give readers a hint that the person was about to die in the near future.

The beggar was brain-washed by the sun. It means that the extreme heat of summer made him extremely tired. He is exhausted both physically and mentally. So, he lies on the pavement.

Like the veins remain hidden under the muscles and tissues, the beggar was veined into stone. As he was already showing the signs of dying, he is compared to a “fossil man”. It means that person was bearing the remnants of his body only. His life might have fled away earlier.

Stanza Three

Behind him there is a crowd passingly

(…)

of an old man asleep on the pavement

The third stanza presents a contrast between human ignorance and reality. Behind the beggar, there was a crowd. So, he was facing the opposite side of the road. People waited for a while as they were bemused by a pavement trickster. This person shows tricks on footpaths as a means of livelihood.

Those who were standing there were completely ignorant of the beggar. He was lying there. But such a scene was seen often. So, people learned how to put their eyes away from such things. Deaths out of hunger and poverty were not a big deal for them. A moment of amazement was far better than an hour of weeping for someone whom one had not seen before. Ironically, those are things that appeared in their minds.

Stanza Four

I thought it then a good composition

(…)

India that the man in the street lived there.

The fourth stanza of ‘Decomposition’ is a little bit ironic as well as satirical too. Zulfikar uses light humor to dilute the rising tension of his poem. According to the poet, after clicking the photo, he thought it was a good composition. He glibly or without thinking much titles the photo as “The Man in the Street”. This title refers to the fact that those who ended up on the streets, can be closely associated with the image of the beggar.

After giving a suitable title to his work, he remarked shortly about the problems that existed in India. The scene typically represents the country. It is harsh to digest but it’s true. When the poet wrote this poem, there were the problems of hunger and poverty. Ghose highlights those problems in his poem.

Stanza Five

His head in the posture of one weeping

(…)

art of his hunger and solitude.

The last stanza contains the poet’s revelation. It describes how the beggar’s head reminds him of something else. After looking at the beggar’s picture, he imagines the posture of one weeping into a pillow. This image chides the poet mentally. It reminds them how pathetic their lives were.

In the following lines, Zulfikar admits his presumption at attempting to compose a piece of art out of a decaying, disturbing theme. It can be anyone. After reading these lines, it seems that the poet’s thinking has changed. Previously, he titled the poem quite casually without any deeper thought to it. But, now he can understand that it is tough to compose verses on the beggar’s hunger and solitude. Here, the poet is seeking fit words to paint the picture of hunger, poverty, and loneliness.

Historical Context

The poem ‘Decomposition’ was written in 1967 by the Pakistani-American poet Zulfikar Ghose. He was born on 23 March 1935. In 1942, his family moved to Bombay. They started to live there and after the partition, they left for England. So, the picture about which Zulfikar talks in the poem belongs to this period of Indian history. During that time, India was going through a severe crisis in every sphere. People were starving, homelessness increased rapidly, and the number of poor people skyrocketed. Several Indian authors and poets have discussed this theme as described in Zulfikar’s poem.

FAQs

When was ‘Decomposition’ by Zulfikar Ghose written?

‘Decomposition’ by Zulfikar Ghose was written in 1967.

What is the theme of ‘Decomposition’?

The major themes of this poem are hunger and poverty, decay or decomposition, and art.

Who is a “pavement trickster”?

One who performs tricks on the roadside pavements for livelihood is referred to as a pavement trickster.

What does “he lies veined into stone” mean?

It means that the beggar was so lean that he looked veined or glued to the stone of the pavement.

What is the meaning of ‘Decomposition’?

The title of the poem means the gradual deterioration of organic things. In the poem’s context, it presents two ideas: one is the worsening state of the beggar and another is breaking down a composition for analysis.


Similar Poetry

Here is a list of some poems that can be read for further understanding of the themes present in Zulfikar Ghose’s poem ‘Decomposition’.

You can also read these incredible life poems and moving poems on death.

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Decomposition by Zulfikar Ghose

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Poet:
Zulfikar Ghose (poems)
84
Period:
Nationality:
Emotions:
72
69
70
67
Topics:
Art
70
71
Form:

Zulfikar Ghose

84
'Decomposition' effectively represents Zulfikar Ghose's work, highlighting his focus on social critique and existential reflection. The poem’s exploration of human suffering and the ethical implications of artistic representation aligns with Ghose’s broader themes. It demonstrates his ability to blend vivid imagery with profound introspection, questioning the value and authenticity of depicting suffering through art.

20th Century

78
'Decomposition' reflects 20th-century poetry's shift towards introspection and social critique. It aligns with modernist themes by examining the intersection of art and human suffering, often highlighting the artist's ethical responsibility. Compared to other poems of the period, it stands out for its stark realism and critique of artistic commodification, echoing the era’s concern with authenticity and human experience.
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Pakistani

80
This poem stands out among Pakistani poetry for its profound engagement with social realities and ethical dilemmas. Unlike many contemporary works, it critiques the commodification of human suffering through art, blending stark realism with introspective depth. Ghose's skill in capturing the grim reality of the beggar's plight and his self-reflective stance offer a compelling and nuanced perspective, elevating the poem above many of its peers.
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Aging

77
The poem gives the reader a clear picture of the beggar as an old man, and this shows how the process of aging affects one’s body and spirit. His physical features which include grey hair and veined into stone depict a man who has worked hard and is exhausted. This representation emphasizes the fact that aging is a process that cannot be avoided and the fact that the elderly are often abandoned and forgotten in society, thus portraying their suffering and loneliness.
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Death

44
Although the poem does not directly deal with death, the image of the beggar as a “fossil man” can be regarded as a metaphorical death. His almost touching the ground shows his lack of distinction and energy, which is a sign of existential despair and daily death.
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Disappointment

73
The awareness of the speaker of the presumption and guilt for the representation of the suffering of the beggar shows the audience that there is a sense of disappointment. The first shallow look at the scene as a ‘good composition’ is rather opposite to the second look when the real state of the beggar is revealed, which is a reflection of the desire to address or depict the suffering of the man and fail.
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Identity

69
This poem is about the loss of identity and it is depicted in the poem through the beggar. His identity is demoralized to the extent of being part of the city’s infrastructure; this is shown as “the cracks in the stone.” The poem explores how society makes people become invisible and no longer human beings.
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Nature

71
The physical incorporation of the beggar into the pavement as well as the imagery of the body that is “veined into stone” has a natural reference. This integration with city life represents the erasure of human difference and the return to the natural environment, which is portrayed as cruel, showing how social abandonment is connected with the natural world’s ambivalent processes.
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Spirituality

78
The poem in a rather delicate manner raises the issue of spirituality by asking the role that art plays in the face of human suffering. The posture of the beggar, which resembles the depiction of a man in spiritual or emotional torment, questions the viewer’s perception of the divine or the spiritual, and raises the question of whether it is possible for art to convey the spiritual or the transcendent and to address the spiritual and the suffering aspects of the human condition.
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Empathy

72
This is evident since the poem describes the beggar in a very pathetic condition and also shows how society has abandoned him. The vivid description of the beggar, his agony, and his interaction with the pavement make him more real and make the readers sympathize with him and to some extent understand his condition.
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Frustration

77
The poem conveys frustration through the speaker’s realization that their attempt to artistically represent the beggar's suffering fell short of capturing the true depth of his pain. This frustration stems from the conflict between the superficial portrayal of suffering and the complex reality of the beggar’s life.
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Guilt

69
The poem conveys feelings of guilt in the speaker as he or she looks back at the shallow way that he or she dealt with the beggar’s suffering. They come to regret the fact that they have depicted this beggar artistically and this makes them feel guilty for turning someone’s suffering into a form of entertainment and this shows the gap between the initial perception and the actuality of the beggar’s situation.
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Hopelessness

75
The description of the beggar as a “fossil man” indicates the hopelessness whereby the beggar seems to have been reduced to a near-human form through the struggles of life. This imagery portrays a feeling of helplessness and hopelessness which is in tune with his plight and the general abandonment of the society.
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Regret

70
The change of perception from the beggar’s condition being a “good composition” to the artist’s presumption highlights regret. This shift in point of view brings out the characters’ awareness of having reduced the beggar to a mere object of mockery and, therefore, the characters experience a moment of remorse.
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Sadness

67
The poem creates sadness by presenting the image of the beggar who is helpless and poor and the people around him who do not care. The depiction of a one-time strong man as part of the city environment and the speaker’s remorse create a rather sad mood of isolation and suffering of people.
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Art

70
The poem critiques the artistic representation of human suffering. It addresses how the beggar's dire condition is turned into a mere composition, questioning whether art can genuinely capture and convey the depth of individual suffering. This thematic exploration challenges the value and ethics of using real-life pain as a subject for artistic expression.
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Isolation

69
This poem explores the beggar’s isolation, both physically and emotionally. His solitary state on the pavement and the crowd’s indifference emphasize his separation from society and the profound loneliness that accompanies his condition, highlighting the emotional impact of social and personal isolation.
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Poverty

71
The poem directly engages with poverty by portraying the beggar’s harsh living conditions and societal neglect. The vivid depiction of his worn-out appearance and the indifference of the crowd emphasize the brutal reality of living in poverty and the marginalization experienced by those in destitution.
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Free Verse

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Sudip Poetry Expert

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A complete expert on poetry, Sudip graduated with a first-class B.A. Honors Degree and a Masters in English Literature with research experience in World Literature. He has a passion for analyzing poetic works with a particular emphasis on literary devices and scansion.
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